Terry Morgan – Stage Raw If one were to attempt to find a work comparable to Dylan Thomas’s Under Milk Wood, it would likely be Thornton Wilder’s Our Town. Both plays deal with the mundane and the sacred, and both delve into…
Terry Morgan – Stage Raw Caring for an infant is an important part of life, yet its difficulties are rarely depicted in the arts. While there is no lack of stories about pregnancy and birth, once the child is born,…
Neal Weaver – Stage Raw It’s Los Angeles in 1939. Count Basie and his band are scheduled to play at the Palomar Ballroom — one of the first African-American groups to perform there. Next door, at Bimini Baths, two employees,…
Terry Morgan – Stage Raw Steve Apostolina’s Forever Bound is an uncommon play that begins in one genre and ends in another. It’s always difficult to market something that doesn’t fit neatly into one category, so writers are often encouraged not to…
Ellen Dostal – BroadwayWorld The air between the words is so thick you could cut it with a knife in Daniel Talbott‘s shadowy play about three siblings attempting to survive their dysfunctional family. Each is broken in his or her own…