Ellen Dostal – BroadwayWorld It takes an awfully long time to get to the point in Philip Whitchurch’s original one act play directed by Julia St. John. Set during a fictional night in the lives of William Shakespeare (played by…
Jonas Schwartz – TheaterMania finds Virginia (Penny Fuller) alone in her home for the first time after her husband, Ed (they were childhood sweethearts), passes away. Worse, she discovers that Ed’s business has been failing for years. As president of…
Deborah Klugman – LA Weekly A production of Shakespeare’s King Lear imported from the Globe Theatre in London stirs all sorts of expectations. Surely no one can do Shakespeare better than the Brits. And besides, the play is one of…
Pauline Adamek – ArtsBeatLA Joyful & exuberant — Isango Ensemble’s afrobeat version of Mozart’s fairytale opera The Magic Flute is a unique and beautiful experience. You will probably have never experienced anything like it before, and perhaps never will again — it’s that special. Read more… Now running…
Hoyt Hilsman – Huffington Post Even in this subdued and somber rendering of a pair of Chekhov stories, Mikhail Baryshnikov and his creative partners from the Big Dance Theater display a magical grace and style that transcends the bleakness of…