A FLEA IN HER EAR at A Noise Within
Myron Meisel – Stage Raw … on to Georges Feydeau, a ubiquitous influence as the prime shaper of boulevard farce to the percussive opening and closing of doors, less often seen in actual performance stateside. Read more… David C. Nichols – LA Times Farce is a tricky thing to sustain, especially sex farce. Too much lewdness … Read more
