Deborah Klugman – Capital & Main In An Enemy of the Pueblo, playwright Josefina López appropriates the basic construct of Henrik Ibsen’s classic, tosses in a few large dollops of magical realism, and transforms the lead character from a 19th-century Norwegian…
Margaret Gray – LA Times No Prince Charming — or any other man, for that matter — appears onstage in the revival of “Real Women Have Curves” at the Pasadena Playhouse. Nevertheless Josefina López’s crowd-pleasing play is a Cinderella story,…
Margaret Gray – LA Times “A Cat Named Mercy,” a new play by Josefina López (“Real Women Have Curves”) premiering at Casa 0101 Theater, is full of reformist passion but feels underbaked. Perhaps it was rushed into production to capitalize…
David C. Nichols – L.A. Times “This is either the longest suicide note in history, or the juiciest, dirtiest, most delicious confession you’ll ever hear,” begins “Hungry Woman” at Casa 0101. Food, family and post-feminist freedom are the chief thematic…