Paul Birchall – Stage Raw In addition to challenging the Stage Raw copy editing department with a title that uses one of those squiggly math signals, playwright Jonas Hassen Khemeri’s powerful drama embraces such a multitude of themes that it’s…
Paul Birchall – Stage Raw The second in a set of two one-person plays, John O’Keefe’s Don’t Ever Call Me Anything But Mother may be that unique monologue that is literally unlike anything you’ve witnessed before — though whether it will beguile…
Deborah Klugman – LA Weekly While I’m not familiar with all — or even most — of Charles Mee’s work, it’s a safe bet that Adam and Evie, directed by Frédérique Michel at City Garage, is one of his gentler, sweeter plays.…
Paul Birchall – Stage Raw Antaeus Theatre Company inaugurates their lovely new Glendale performance space with this tremendously stylish production of Tennessee Williams’ family drama. The play tells the story of a desperate woman named Maggie (the “cat” of the…
Paul Birchall – Stage Raw A cruise ship is a metaphor for the world in microcosm. All classes and strata of society live together within the boundaries of the little tin ship, which is surrounded by the nothingness of the…