Terry Morgan – Stage Raw Alternate reality stories have long been popular, and there are a couple of main reasons for their appeal. First, it’s just fun to extrapolate how history might have proceeded if things had been different. Second,…
Paul Birchall – Stage Raw Padraic Duffy’s rather sweet romantic comedy — the premiere offering at Sacred Fools’ new home at the former Elephant Asylum complex — is a good workmanlike calling card to introduce the company’s style and tone…
Deborah Klugman – Stage Raw Playwright/director Jonas Oppenheim’s attempt to cast light on the problems of infertile couples while making comic hay in the fashion of a British sex farce is a sore disappointment. Missing the crisp humor abundant in…
Pauline Adamek – LA Weekly Sequels are tough. Expectations are generally high and you can never attain the novelty factor of the first outing. Writer-director Jaime Robledo’s Watson and the Dark Art of Harry Houdini, the second installment in his…
Pauline Adamek – LA Stage Times Didn’t get enough of Watson at Sacred Fools Theater in late 2010, or when it returned in the summer of 2011? Don’t worry — the saga continues. Writer/director Jaime Robledo’s sequel Watson and the Dark Art of Harry Houdini, reportedly darker…