Layout Image

Archive for The Fountain Theatre

Los Angeles Drama Critics Circle Announces 2020-2021 Award Recipients

LADCC LogoThe Los Angeles Drama Critics Circle is proud to announce the award recipients for 2020 and 2021. Poor Clare (The Echo Theater Company) and The Father (Pasadena Playhouse) received the prestigious Production award, with additional honorees named in 18 other categories.

In total, 13 different productions were honored, celebrating a wide range of Los Angeles theater. Pasadena Playhouse’s The Father received the most awards for a single production and the most awards overall, with nine.

This year, out of an abundance of caution, the LADCC will once again forgo its annual event ceremony and will instead send the plaques to the honorees. Congratulations to all of the award recipients!

The complete list of award recipients for 2020 and 2021 is as follows:


  • Poor Clare, The Echo Theater Company
  • The Father, Pasadena Playhouse

McCulloh Award for Revival

  • My Fair Lady, Dolby Theatre

Lead Performance

  • Jordan Hull, Poor Clare, The Echo Theater Company
  • Alfred Molina, The Father, Pasadena Playhouse

Featured Performance

  • Sue Cremin, The Father, Pasadena Playhouse
  • Ann Noble, Poor Clare, The Echo Theater Company
  • Michael Sturgis, Poor Clare, The Echo Theater Company

Ensemble Performance

  • Poor Clare, The Echo Theater Company
  • The Father, Pasadena Playhouse

Solo Performance

  • Jim Ortlieb, Stand Up If You’re Here Tonight, VS. Theatre Company & Circle X Theatre Co.


  • Chiara Atik, Poor Clare, The Echo Theater Company
  • Florian Zeller (translation by Christopher Hampton), The Father, Pasadena Playhouse

Writing Adaptation

  • Branden Jacobs-Jenkins, An Octoroon, The Fountain Theatre

Musical Score

  • Kristen Anderson-Lopez and Robert Lopez, Frozen, Hollywood Pantages Theatre
  • David Yazbek, The Band’s Visit, Dolby Theatre

Music Direction

  • John Bell, My Fair Lady, Dolby Theatre
  • Andre Cerullo, Hamilton, Hollywood Pantages Theatre
  • Adrian Ries, The Band’s Visit, Dolby Theatre
  • Ryan Whyman, Lizastrata, Troubadour Theater Company


  • Jess Coffman, Suzanne Jolie, L.T. Martinez, Matt Walker, Lizastrata, Troubadour Theater Company
  • Christopher Gatelli, My Fair Lady, Dolby Theatre


  • Alana Dietze, Poor Clare, The Echo Theater Company
  • Jessica Kubzansky, The Father, Pasadena Playhouse

Set Design

  • David Meyer, The Father, Pasadena Playhouse
  • Frederica Nascimento, An Octoroon, The Fountain Theatre

Lighting Design

  • Elizabeth Harper, The Father, Pasadena Playhouse
  • Natasha Katz, Frozen, Hollywood Pantages Theatre
  • Azra King-Abadi, Poor Clare, The Echo Theater Company

Costume Design

  • Christopher Oram, Frozen, Hollywood Pantages Theatre
  • Halei Parker, Lizastrata, Troubadour Theater Company
  • Catherine Zuber, My Fair Lady, Dolby Theatre

Sound Design

  • John Zalewski, The Father, Pasadena Playhouse


  • Kaitlyn Pietras, Jason H. Thompson, Revenge Song, Geffen Playhouse
  • Finn Ross, Frozen, Hollywood Pantages Theatre

Streaming Design

  • Corwin Evans, Bree Pavey, UnRavelled, Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland
  • Andrew Schmedake, The Ballad of Emmett Till, The Fountain Theatre


  • Lily Bartenstein, Prop Design, Lizastrata, Troubadour Theater Company
  • Jeremy Chernick, Visual Effects, Frozen, Hollywood Pantages Theatre
  • Joe Seely, Puppet Design, The ODDyssey, Troubadour Theater Company

Every effort has been made to ascertain proper credits for our award recipients. We regret any errors or omissions. Any that come to our attention will be corrected on our LADCC website and (when applicable) on a recipient’s award plaque.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2020-2021 membership consisted of:
Lara J. Altunian, Stage Raw, L.A. Dance Chronicle
Katie Buenneke, Stage Raw, Theater Digest
Erin Conley, On Stage & Screen
Peter DeBruge, Variety
Ellen Dostal, BroadwayWorld, Musicals in LA
Lovell Estell III, Stage Raw,
Margaret Gray, Los Angeles Times
Hoyt Hilsman, Cultural Daily, Pasadena Now, Riot Material
Harker Jones, BroadwayWorld,
Deborah Klugman, Stage Raw, Capital and Main, Gia On The Move
Dany Margolies,, Southern California News Group
Dana Martin, Stage Raw
Myron Meisel, Stage Raw
Terry Morgan,, Stage Raw
Steven Leigh Morris, Stage Raw
Melinda Schupmann,,
Jonas Schwartz-Owen,, BroadwayWorld,
Don Shirley, Angeles Stage
Rob Stevens,

L.A.’s Fountain Theatre responds to the fall of Roe with part obituary, part call to action

Aleisha Force and Kate Middleton. Photo by Jenny Graham

Aleisha Force and Kate Middleton. Photo by Jenny Graham

Margaret Gray – Los Angeles Times

On Friday, after the U.S. Supreme Court had overturned Roe vs. Wade, the cast and the audience at L.A.’s Fountain Theatre discussed the ruling across the footlights, right in the middle of a live show.

Performer Christina Hall reminded the crowd that all three of the justices appointed by former President Trump had promised at their confirmation hearings that they would not overturn precedents set by previous courts. “And then they did!” Hall shouted.

“Liars!” replied an audience member, prompting claps and grumbles of agreement.

But then we all settled down and watched as Hall delivered the rest of her lines. She wasn’t breaking character. She was playing Sarah Weddington, the lawyer who represented Jane Roe before the Supreme Court in 1973, in a staged reading of Lisa Loomer’s 2016  play “Roe.” Read more…

HUMAN INTEREST STORY at the Fountain Theatre

Jenny Graham

Jenny Graham

Terry Morgan  -  Stage Raw

Poverty and homelessness and what to do about them are hardly new matters of concern. King Lear berates his newly-found conscience thus: “Poor naked wretches…how shall your houseless heads and unfed sides…defend you from seasons such as these? O, I have ta’en too little care of this!”
Read more…

Margaret Gray – LA Times

The plot and themes of Frank Capra’s film “Meet John Doe,” released in 1941, feel startlingly pertinent to America in 2020. A craven plutocrat buys a city’s newspaper, lays off its seasoned journalists and repurposes it as propaganda for his political campaign — and the public eats it up.
Read more…

Now running through April 5

DANIEL’S HUSBAND at the Fountain Theatre

Ed Krieger

Ed Krieger

Terry Morgan  -  Talkin’ Broadway

It’s always a nice moment when a work of art surprises me in a positive way. It reminds me of one of the reasons I love theater in the first place: the primal pull of story. It’s the delight of seeing something new when one was expecting something else.
Read more…

Deborah Klugman – Stage Raw

Daniel’s Husband, written by Michael McKeever and directed by Simon Levy at the Fountain Theatre, starts out decked with light comedy and glib dialogue  but midway takes a sharp turn to become relevant and affecting.
Read more…

Now running through June 23


BABY DOLL at the Fountain Theatre

Photo by Ed Krieger

Photo by Ed Krieger

Deborah Klugman – Stage Raw

As a film, Baby Doll was a little too racy for segments of America when it premiered in 1956. Its poster featured a scantily clad (by that era’s standards) young woman in a slip, curled up in a crib, sucking her thumb. Directed by Elia Kazan from a screenplay by Tennessee Williams (based on two of his stage plays), the movie passed muster with the industry’s regulators but was condemned by the Legion of Decency……Read more…

Now running through September 25