Neal Weaver – Stage Raw It’s Los Angeles in 1939. Count Basie and his band are scheduled to play at the Palomar Ballroom — one of the first African-American groups to perform there. Next door, at Bimini Baths, two employees, African-American Amen (Noel Arthur) and Mexican-American Zenobio (Adrian Gonzalez) have been given the onerous job … Read more
Terry Morgan – Stage Raw James Joyce in his A Portrait of the Artist as a Young Man famously wrote, “History is a nightmare from which I am trying to awake.” That sentiment describes a lot of historical fiction, in which the sins of the past reverberate endlessly down decades or centuries into the present. Read more… … Read more
Deborah Klugman – Stage Raw Premiering at the Skylight Theatre under Eric Hoff’s direction, Tom Jacobson’s latest play is a delectable little fable about free will, human folly and the encounter of a non-believer with God, Hell and the Devil. Read more… Rob Stevens – Haines His Way With his latest work, The Devil’s Wife, playwright … Read more
Dany Margolies – Arts In LA In a tiny church, a battle wages. That battle has been nearly settled by American law, it seems to be settling in large urban areas. But in the hearts and minds of the congregation at Kandota Lutheran Church in Little Sauk, Minn., it’s still a stubbornly fought war. Read … Read more
Deborah Klugman – LA Weekly Katharina Bora was a Cistercian nun who fled the convent and ended up married to Martin Luther. She bore him 6 children and adeptly managed their estate while he took on the business of revolutionizing Christian theology and with it, the whole of Europe. Read more… Now running through June 27.
Neal Weaver – LA Weekly Four one-acts, performed by the Chalk Repertory and set in the exhibition halls of the Natural History Museum, deal, directly or indirectly, with the museum’s history. Tom Jacobson’s A Vast Hoard, directed by Janet Hayatshahi, set in 1913 and played in the Rotunda, deals with the efforts of two officials … Read more