Ellen Dostal – BroadwayWorld
In Bill Berry’s solo show THE BRICK: A ONE MAN MUSICAL, Berry isn’t addressing the audience in a theater. He’s on a beach having a two-way conversation with his dead mother and we are the accidental eavesdroppers who witness their complicated relationship unfold piecemeal. The convention is more akin to a play than a typical solo performance, a smart decision that sidesteps many of the pitfalls solo artists often fall into. It isn’t self-indulgent, doesn’t require that the audience be his scene partner, and lets each person take the journey with him by not establishing a foregone conclusion.
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