Deborah Klugman – Stage Raw
The most impressive element of Joel Daavid’s scenic design is the two giant clocks at the rear of the set, their hands (this is at the top of the play, before the dialogue begins, and a couple of other places as well) moving at an accelerated speed to the tick-tock facilitated by David Marling’s sound. Read more…
Patrick Chavis – LA Theatre Bites Podcast
7.9 out of 10! Above Average! Listen more…