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LADCC 2016 AWARD SHOW PHOTOS

The 48th Annual Los Angeles Drama Critics Circle award show was held on March 20, 2017 at the Colony Theatre in Burbank. Congratulations to all the award recipients and nominees! Here is a selection of photos from the event. Thanks very much to our photographer, Jayne Calucag! The full array of photos is available at her website, JayneCalPhotography.com, and a link to the specific page for this show is here: https://www.smugmug.com/gallery/n-cztvTQ/

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  Cast and production members from the Antaeus Theatre Company’s production of Cloud 9, the recipient of the most awards at this year’s show.

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Will North and Lewis Wilkenfeld from Cabrillo Music Theatre, the recipient of this year’s Joel Hirschhorn award for outstanding achievement in musical theatre. Jonas Schwartz, vice-president of the LADCC, stands in the middle.

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Jared A. Sayeg, recipient of this year’s Kinetic Lighting award for outstanding achievement in theatrical design.


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Bill Brochtrup and Casey Stangl, representing the Antaeus Theatre Company, a recipient of the McCulloh award for Best Revival for Cloud 9.

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The cast of Center Theatre Group’s Ma Rainey’s Black Bottom, a recipient of the McCulloh award for Best Revival.

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Deborah Puette, recipient of Best Solo Performance for Rogue Machine Theatre’s Captain of the Bible Quiz Team.

p7 Michael A. Shepperd, a recipient of Best Direction for Celebration Theatre’s The Boy From Oz.

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John Sloan, Kitty Swink, Ana Rose O’Halloran and Bill Brochtrup, representing Antaeus Theatre Company, recipient of the Margaret Harford award for sustained excellence in theatre.

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Ginna Carter, a recipient of Best Lead Performance award for Pacific Resident Theatre’s Eccentricities of a Nightingale.

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Ensemble and production members of Celebration Theatre’s The Boy from Oz, a recipient of Best Production.

RECIPIENTS OF THE 48TH ANNUAL LADCC AWARDS

Congratulations to all the recipients of the 48th annual LADCC awards.  They are as follows:

Production

 A Gentleman’s Guide to Love & Murder, Center Theatre Group/Ahmanson Theatre.

Cloud 9, Antaeus Theatre Company.

Disgraced, Center Theatre Group/Mark Taper Forum.

The Boy from Oz, Celebration Theatre.

  McCulloh Award for Revival (plays written between 1920 and 1991)

Cloud 9, Antaeus Theatre Company.

Ma Rainey’s Black Bottom, Center Theatre Group/Mark Taper Forum.


Lead Performance

 Andrew Bongiorno in The Boy from Oz, Celebration Theatre.

Ginna Carter in The Eccentricities of a Nightingale, Pacific Resident Theatre.

Hari Dhillon in Disgraced, Center Theatre Group/Mark Taper Forum.

 Featured Performance

 JD Cullum in Cloud 9, Antaeus Theatre Company.

Bo Foxworth in Cloud 9, Antaeus Theatre Company.

Bess Motta in The Boy from Oz, Celebration Theatre.

Ensemble Performance

 Casa Valentina, The Pasadena Playhouse.

Cloud 9, Antaeus Theatre Company.

Ma Rainey’s Black Bottom, Center Theatre Group/Mark Taper Forum.

Solo Performance 

Deborah Puette, Captain of the Bible Quiz Team, Rogue Machine Theatre.

 Direction

 Michael A. Shepperd, The Boy from Oz, Celebration Theatre.

Casey Stangl, Cloud 9, Antaeus Theatre Company.

Darko Tresnjak, A Gentleman’s Guide to Love & Murder, Center Theatre Group/Ahmanson Theatre

Writing

Ayad Akhtar, Disgraced, Center Theatre Group/Mark Taper Forum.

Erik Patterson, One of the Nice Ones, The Echo Theater Company.

 Musical Score

Steven Lutvak and Robert L. Freedman, A Gentleman’s Guide to Love & Murder, Center Theatre Group/Ahmanson Theatre.

Music Direction

 Bryan Blaskie, The Boy from Oz, Celebration Theatre.

Choreography

 Janet Roston, The Boy from Oz, Celebration Theatre.

Set Design

 Alexander Dodge, A Gentleman’s Guide to Love & Murder, Center Theatre Group/ Ahmanson Theatre. 

CGI/Video Design

 Brad Peterson and David Gallo, Empire the Musical, La Mirada Theatre for the Performing Arts.

Lighting Design

 Rui Rita and Jake DeGroot, Fly, The Pasadena Playhouse.

 Costumes

Kate Bergh, Casa Valentina, The Pasadena Playhouse.

A. Jeffrey Schoenberg, Cloud 9, Antaeus Theatre Company.

 Sound Design

Eric Snodgrass, The Boy from Oz, Celebration Theatre.

Specialty: Fight Choreography

Jen Albert, Punch and Judy, The School of Night, Ruby Theater at the Complex.

 

Specialty: Wigs, Hair and Makeup

 Rick Geyer, Casa Valentina, The Pasadena Playhouse.

Jessica Mills, Cloud 9, Antaeus Theatre Company.

The following special award winners were previously announced:

2016 Margaret Harford Award for sustained excellence in theatre

Antaeus Theatre Company.

2016 Polly Warfield Award for an excellent season in a small to mid-size theatre

Rogue Machine Theatre.

2016 Ted Schmitt Award for the world premiere of an outstanding new play

Aliza Goldstein for A Singular They, originally produced by the Blank Theatre.

2016 Kinetic Lighting Award for outstanding achievement in theatrical design

Jared A. Sayeg.

2016 Joel Hirschhorn Award for outstanding achievement in musical theatre

Cabrillo Music Theatre.

2016 Milton Katselas Award for career or special achievement in direction

Maria Gobetti.

 2016 Gordon Davidson Award for distinguished contribution to the Los Angeles theatrical community

Pro99.

 

CAPTAIN GREEDY’S CARNIVAL at the Actors Gang

Courtesy photo

Courtesy photo

Dany Margolies – The Daily Breeze

So, you buy tickets to “Captain Greedy’s Carnival.” You sit in the audience. A character calling himself Captain Greedy comes out and asks, “Who wants more money in their pocket?”
Read more…

Now running through November 11

 

TURN ME LOOSE at the Wallis Annenberg Center for the Performing Arts

(Photo by Lawrence K. Ho)

(Photo by Lawrence K. Ho)

Deborah Klugman – Capital & Main

In his powerhouse performance as Dick Gregory, the stand-up comic who rose to fame in the 1960s, Joe Morton tells the following story: He was civil rights organizing in the South with his good friend Medgar Evers, when he received a call informing him that his infant son had died.
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Dany Margolies – The Daily News

On the first page of her script titled “Turn Me Loose,” Gretchen Law introduces the piece as “a full-length play for stage, from the life and works of Mr. Dick Gregory.” The play retains this purposeful yet respectful tone throughout. Quietly, cerebrally, it packs a punch.
Read more…

Now running through November 19

MICE – Ensemble Studio Theatre at Atwater Village Theatre

(Photo by Youthana Yuos)

(Photo by Youthana Yuos)

Rob Stevens – Haines His Way

If you have a fear/distaste for certain rodents, say mice or their bigger cousin–rats, Mice at Ensemble Studio Theatre might not be your piece of theatrical cheese.
Read more…

Deborah Klugman – Stage Raw

Schaeffer Nelson’s Mice is a strange little play in which a man in a mouse costume kidnaps two pastors’ wives and holds them prisoner in his basement. It’s a creepy story and not for everyone.
Read more…

Now running through November 5

KAIDAN PROJECT: WALLS GROW THIN at East West Players

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Terry Morgan  -  Talkin’ Broadway

High-end haunted houses seem to be more popular than ever these days. One can see the appeal—a bit more personal of a scare than simply watching a horror movie, a safe Halloween adventure. East West Players and Rogue Artists Ensemble have taken this trope and put their own unique spin on it with Kaidan Project: Walls Grow Thin….
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Margaret Gray – LA Times

It’s part haunted house, part art installation, part performance-art piece: The Rogue Artist Ensemble and East West Players’ immersive “Kaidan Project: Walls Grow Thin” unfolds in an abandoned warehouse that has been reconfigured into settings for a series of nightmares spun out of Japanese folklore.
Read more…

Now running through November 5

ABSENCE MAKES THE HEART…/COMB YOUR HAIR (OR YOU’LL LOOK LIKE A SLAVE) at the Arena Stage

(Photo by Doug Haverty)

(Photo by Doug Haverty)

Neal Weaver  – Stage Raw

Absence Makes the Heart… — written by Abley, and directed by Chrisanne Blankenship-Billings — is a modern take on Hans Christian Anderson’s The Red Shoes, which deals with a dancer driven to her death by the uncontrollable urge to dance.

Read more…

Now running through October 29

 

MRS. WARREN’S PROFESSION at A Noise Within

(Photo by Craig Schwartz)

(Photo by Craig Schwartz)

Katie Buenneke – Stage Raw

Though it was written in 1893, George Bernard Shaw’s play Mrs. Warren’s Profession, now playing at A Noise Within in Pasadena, feels surprisingly contemporary. While Shaw scripted these conversations 124 years ago, the basic arguments the characters engage in have changed little in the intervening years.
Read more…

Now running through November 18

MR. BURNS, A POST-ELECTRIC PLAY at the Sacred Fools Theater Company

(Photo by Jessica Sherman Photography)

(Photo by Jessica Sherman Photography)

Terry Morgan  -  Stage Raw

After the recent Equity nonsense, wherein said organization did whatever it could to destroy our beloved 99-seat theatres, there was a general sense that L.A.’s theatrical scene was going to stagger backwards and falter.
Read more…

Now running through November 18

YOUNG FRANKENSTEIN at the Redondo Beach Performing Arts Center

Photo courtesy Caughtinthemoment.com

Photo courtesy Caughtinthemoment.com

Dany Margolies – The Daily Breeze

There’s not much difference between creating a monster and creating a monster hit.

Take for example “Young Frankenstein,” the musical currently in the hands of 3-D Theatricals.
Read more…

Hoyt Hilsman  -  Huffington Post

3D Theatricals offers another solid Broadway revival with Mel Brooks’ Young Frankenstein
Read more…

Now running through October 29

 

 

TIME ALONE at L.A.T.C.

 (Photo by David Morrison)

(Photo by David Morrison)

Deborah Klugman – Capital & Main

This powerful drama by Alessandro Camon delves into the minds of two extraordinarily isolated people: a convict serving a life sentence for a murder he committed as a juvenile, and the mother of a police officer whose only son was shot and killed in the line of duty.
Read more…

Neal Weaver  – Stage Raw

Playwright Alessandro Camon, an Oscar nominee for his screenplay for The Messenger, is deeply interested in the soul-destroying practice of solitary confinement, and in the experiences of crime survivors — people who lost loved ones to murder. He deals powerfully with both issues in this two-person play.
Read more…

Now running through October 22

ON THE VERGE OR THE GEOGRAPHY OF YEARNING at the Little Fish Theatre

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Dany Margolies – The Daily Breeze

Nostalgia for the future and a droll chiding of the past drive the storytelling in Eric Overmyer’s “On the Verge or The Geography of Yearning,” at Little Fish Theatre through Oct. 19.

It’s a smart play. Sorry if that damns it for you, but if you’re thinking of seeing it, you need to know: It’s two and a half hours of smart.

Read more..

Now running through October 19

 

WITH LOVE AND A MAJOR ORGAN at Boston Court Performing Arts Center

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Erin Conley – On Stage & Screen

Some people go through life with their heart on their sleeve, while others are much more guarded, desperate to protect their hearts from being broken. In With Love and a Major Organ, a whimsical, poignant play by Julia Lederer currently in its west coast premiere at Boston Court Performing Arts Center, this concept is taken a step further. Read more…

Paul Birchall – Stage and Cinema

Midway through playwright Julia Lederer’s feather-light, yet rather droning romantic comedy, a character literally reaches into her own chest and pulls out her heart, which thumps and pumps and leaks blood into the padded envelope she shoves it into. The lovesick woman then leaves it in a New York City subway station for the man she hopes to catch. Read more…

Deborah Klugman – LA Weekly

In playwright Julia Lederer’s With Love and A Major Organ, a West Coast premiere directed by Jessica Kubzansky at Boston Court, a warm spontaneous woman falls ardently in love with a stranger she meets on the subway.  The main idea — a quest for love requited —may be as old as the hills, but Lederer’s wit and poetical language, along with Kubzansky’s directorial finesse and state-of the-art staging, makes for a beguiling evening of theater. Read more…

Frances Baum Nicholson –The Stage Struck Review

Recently, as part of an assignment at a nearby public high school, students experimented at a local mall to see what people their age would do if a stranger (also their age) came up to try to engage them in conversation. Over and over, the subjects of their experiment would look down at their phones – use their electronic social network to avoid talking to a real person. Interestingly, that was the expected result, according to the teens.
Read more…

Now running through November 5

CURVE OF DEPARTURE at South Coast Rep

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Margaret Gray – LA Times

After Rachel Bonds’ “Five Mile Lake” had its world premiere in 2014 at South Coast Repertory, news that SCR would be producing Bonds’ new “Curve of Departure” this fall was thrilling.Read more…

Now running through October 15