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LADCC 2016 AWARD SHOW PHOTOS

The 48th Annual Los Angeles Drama Critics Circle award show was held on March 20, 2017 at the Colony Theatre in Burbank. Congratulations to all the award recipients and nominees! Here is a selection of photos from the event. Thanks very much to our photographer, Jayne Calucag! The full array of photos is available at her website, JayneCalPhotography.com, and a link to the specific page for this show is here: https://www.smugmug.com/gallery/n-cztvTQ/

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  Cast and production members from the Antaeus Theatre Company’s production of Cloud 9, the recipient of the most awards at this year’s show.

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Will North and Lewis Wilkenfeld from Cabrillo Music Theatre, the recipient of this year’s Joel Hirschhorn award for outstanding achievement in musical theatre. Jonas Schwartz, vice-president of the LADCC, stands in the middle.

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Jared A. Sayeg, recipient of this year’s Kinetic Lighting award for outstanding achievement in theatrical design.


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Bill Brochtrup and Casey Stangl, representing the Antaeus Theatre Company, a recipient of the McCulloh award for Best Revival for Cloud 9.

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The cast of Center Theatre Group’s Ma Rainey’s Black Bottom, a recipient of the McCulloh award for Best Revival.

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Deborah Puette, recipient of Best Solo Performance for Rogue Machine Theatre’s Captain of the Bible Quiz Team.

p7 Michael A. Shepperd, a recipient of Best Direction for Celebration Theatre’s The Boy From Oz.

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John Sloan, Kitty Swink, Ana Rose O’Halloran and Bill Brochtrup, representing Antaeus Theatre Company, recipient of the Margaret Harford award for sustained excellence in theatre.

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Ginna Carter, a recipient of Best Lead Performance award for Pacific Resident Theatre’s Eccentricities of a Nightingale.

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Ensemble and production members of Celebration Theatre’s The Boy from Oz, a recipient of Best Production.

RECIPIENTS OF THE 48TH ANNUAL LADCC AWARDS

Congratulations to all the recipients of the 48th annual LADCC awards.  They are as follows:

Production

 A Gentleman’s Guide to Love & Murder, Center Theatre Group/Ahmanson Theatre.

Cloud 9, Antaeus Theatre Company.

Disgraced, Center Theatre Group/Mark Taper Forum.

The Boy from Oz, Celebration Theatre.

  McCulloh Award for Revival (plays written between 1920 and 1991)

Cloud 9, Antaeus Theatre Company.

Ma Rainey’s Black Bottom, Center Theatre Group/Mark Taper Forum.


Lead Performance

 Andrew Bongiorno in The Boy from Oz, Celebration Theatre.

Ginna Carter in The Eccentricities of a Nightingale, Pacific Resident Theatre.

Hari Dhillon in Disgraced, Center Theatre Group/Mark Taper Forum.

 Featured Performance

 JD Cullum in Cloud 9, Antaeus Theatre Company.

Bo Foxworth in Cloud 9, Antaeus Theatre Company.

Bess Motta in The Boy from Oz, Celebration Theatre.

Ensemble Performance

 Casa Valentina, The Pasadena Playhouse.

Cloud 9, Antaeus Theatre Company.

Ma Rainey’s Black Bottom, Center Theatre Group/Mark Taper Forum.

Solo Performance 

Deborah Puette, Captain of the Bible Quiz Team, Rogue Machine Theatre.

 Direction

 Michael A. Shepperd, The Boy from Oz, Celebration Theatre.

Casey Stangl, Cloud 9, Antaeus Theatre Company.

Darko Tresnjak, A Gentleman’s Guide to Love & Murder, Center Theatre Group/Ahmanson Theatre

Writing

Ayad Akhtar, Disgraced, Center Theatre Group/Mark Taper Forum.

Erik Patterson, One of the Nice Ones, The Echo Theater Company.

 Musical Score

Steven Lutvak and Robert L. Freedman, A Gentleman’s Guide to Love & Murder, Center Theatre Group/Ahmanson Theatre.

Music Direction

 Bryan Blaskie, The Boy from Oz, Celebration Theatre.

Choreography

 Janet Roston, The Boy from Oz, Celebration Theatre.

Set Design

 Alexander Dodge, A Gentleman’s Guide to Love & Murder, Center Theatre Group/ Ahmanson Theatre. 

CGI/Video Design

 Brad Peterson and David Gallo, Empire the Musical, La Mirada Theatre for the Performing Arts.

Lighting Design

 Rui Rita and Jake DeGroot, Fly, The Pasadena Playhouse.

 Costumes

Kate Bergh, Casa Valentina, The Pasadena Playhouse.

A. Jeffrey Schoenberg, Cloud 9, Antaeus Theatre Company.

 Sound Design

Eric Snodgrass, The Boy from Oz, Celebration Theatre.

Specialty: Fight Choreography

Jen Albert, Punch and Judy, The School of Night, Ruby Theater at the Complex.

 

Specialty: Wigs, Hair and Makeup

 Rick Geyer, Casa Valentina, The Pasadena Playhouse.

Jessica Mills, Cloud 9, Antaeus Theatre Company.

The following special award winners were previously announced:

2016 Margaret Harford Award for sustained excellence in theatre

Antaeus Theatre Company.

2016 Polly Warfield Award for an excellent season in a small to mid-size theatre

Rogue Machine Theatre.

2016 Ted Schmitt Award for the world premiere of an outstanding new play

Aliza Goldstein for A Singular They, originally produced by the Blank Theatre.

2016 Kinetic Lighting Award for outstanding achievement in theatrical design

Jared A. Sayeg.

2016 Joel Hirschhorn Award for outstanding achievement in musical theatre

Cabrillo Music Theatre.

2016 Milton Katselas Award for career or special achievement in direction

Maria Gobetti.

 2016 Gordon Davidson Award for distinguished contribution to the Los Angeles theatrical community

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RABBIT HOLE at the Lounge Theatre

Photo Credit: John Geronilla

Photo Credit: John Geronilla

Erin Conley – On Stage & Screen

In a typical suburban home, a woman folds laundry—a young child’s clothes—as she chats with her sister. It’s all typical enough until the sister hesitantly reveals she is pregnant. As we quickly learn, this is a difficult and loaded topic because her nephew, the woman’s child, was recently killed in a tragic accident.    Read more…

Now running through May 14

LONE STAR at the Zephyr Theatre

Photo by Elephant Stageworks)

Photo by Elephant Stageworks)

Neal Weaver  – Stage Raw

In James McClure’s one-act comedy, three men hang out in the parking lot at Angel’s Bar in Maynard Texas in 1981. Roy (Christopher Jordan) is a Vietnam vet. Before he went off to war, he was a kind of local hero, famous for his 1959 pink convertible Thunderbird and his way with women. Read more…

Now running through May 7

PURE CONFIDENCE – Lower Depth Theatre Ensemble at Sacred Fools Theater

Photo by Ed Krieger

Photo by Ed Krieger

Deborah Klugman – Stage Raw

African-Americans figured prominently in American horseracing in the mid 19th century. Many trainers were slaves who worked on farms in the South, taking care of the horses for their owners. Some slaves also became jockeys, earning money (that they were able to keep for themselves) by auctioning off their riding skills to the highest bidder. Read more…

Now running through May 14

WEST SIDE STORY at La Mirada Theatre for the Performing Arts

West Side Story (musical) by McCoy Rigby, April-May 2017

Erin Conley – On Stage & Screen

Are there any opening notes in musical theater more iconic and instantly recognizable than those of West Side Story? No matter the iteration, the story and music are classic enough to have endured the test of time, resulting in a rare musical where you can hear a ripple of excitement in the audience at the beginning of almost every song. Read more…

Jonas Schwartz -  TheaterMania

West Side Story — Leonard Bernstein, Stephen Sondheim, and Arthur Laurents’ reimagining of Shakespeare’s Romeo And Juliet — is known for its deft staging that showcases energetic choreography as executed by a talented and youthful cast. While this latest production of the iconic show, presented by La Mirada Theatre, features two excellent performances, sloppy dancing and chaotic staging ultimately sabotage the powerful text. Read more…

Now running through May 14

FARRAGUT NORTH at the Odyssey Theatre

Photo by Ed Krieger

Photo by Ed Krieger

Dany Margolies – The Daily Breeze

What’s it like being a high-level presidential campaigner? You know, one of the folks who tell candidates what to say and how to say it. They ain’t no lilies of the field. The long hours are grueling, and oh do they spin.  Read more…

Now running through May 21

GOONIE at Atwater Village Theatre

Photo by Hiram Sanchez

Photo by Hiram Sanchez

Deborah Klugman – Stage Raw

Writer/performer Terry Maratos’s solo show about an angry addled man and his struggles with his family is chockful of the broad caricature and shtick-laden narrative that I normally find grating. But Goonie is a rare exception. Read more…

Now running through May 5

 

MARTHA at the Whitefire Theatre

(Photo by Charles Dougherty)

(Photo by Charles Dougherty)

Neal Weaver  – Stage Raw

Modern dancer and choreographer Martha Graham has become an almost mythical figure. She was remarkably prolific, creating 181 dances over the course of her career and dancing into her 70s (though sometimes she lurched a bit during her later years). Read more…

Now running through May 28

THE LEGEND OF GEORGIA MCBRIDE at the Geffen Playhouse

Photo  by Jeff Lorch

Photo by Jeff Lorch

Jonas Schwartz -  TheaterMania

It is one of the age-old theater questions: Can a performance rise the level of a so-so script, adding depth missing from the dialogue and characterizations? Broadway actor Matt McGrath proves the answer can be yes in The Legend of Georgia McBride, a comedy, now playing at the Geffen, about drag queens in a run-down bar in the Florida Panhandle. Read more…

Deborah Klugman – LA Weekly

The Legend of Georgia McBride is one of those rare charmers, a sweet story about nice people that manages to be neither syrupy nor cloying. Directed by Mike Donahue at the Geffen Playhouse, the production features a strong ensemble that brings heft and heart to a very amiable comedy. Read more…

 Dany Margolies – The Daily Breeze

They say clothes make the man. In “The Legend of Georgia McBride,” women’s clothes certainly turn a childlike lad into a maturing gentleman. Still, Matthew Lopez’s play, enjoying its West Coast premiere at Geffen Playhouse, reminds us that our true selves are who we are at heart, having nothing to do with our outer adornments. Read more…

Now running through May 31

 

A DOLL’S HOUSE, PART 2  at South Coast Repertory

Photo by Debora Robinson

Photo by Debora Robinson

Terry Morgan  -  Stage Raw

One of the most intriguing uses of art is a conversation between an acknowledged masterpiece from the past and a current artist commenting upon it or adding to it in some way. Of course, this doesn’t always work, but when it does, the results are often fascinating. Such is the case with Lucas Hnath’s A Doll’s House, Part 2, where the playwright examines the issues brought up in the Ibsen’s classic play with complexity and empathy. The world premiere production at South Coast Repertory is bracingly intelligent and superbly performed. Read more…

Now running through April 30

 

THE ORIGINALIST at the Pasadena Playhouse

orig 1

(Photo by Jim Cox Photography)

Deborah Klugman – Capital & Main

In John Strand’s play, The Originalist, the late Supreme Court Associate Justice Antonin Scalia (Edward Gero) is presented as a lovable curmudgeon — rather like the tough, gruff but charismatic professor you might have had back in your university days. To appreciate the character, and the play, you need to be willing to suspend your knowledge of the sum damage of Scalia’s opinions on civil rights and the democratic process...Read more…

Frances Baum Nicholson – The Daily Breeze

In the opening moments of John Strand’s “The Originalist,” the late Supreme Court Justice Antonin Scalia is addressing a large group at The Federalist Society. For those who care to look, this is an elegant shorthand about his background. (If you need to know more, check out Jeffrey Toobin’s article, which discusses that organization’s agenda and its foundational drive to train and raise up originalist conservative judges, in The New Yorker on April 17.)

Now running through May 7

INTO THE WOODS at the Ahmanson Theatre

Photo by Joan Marcus

Photo by Joan Marcus

Frances Baum Nicholson – The Daily News

Every once in a while there comes an opportunity to experience an extraordinarily rich theatrical performance. Such is the case with the Fiasco Theater production of James Lapine and Stephen Sondheim’s “Into the Woods,” now at the Ahmanson.         Read more…

 Erin Conley – OnStage

The cow as white as milk, the cape as red as blood, the hair as yellow as corn, the slipper as pure as gold. These ingredients comprise the spell at the center of Into the Woods, the classic musical with music and lyrics by Stephen Sondheim and book by James Lapine that twists and combines popular fairy tales into a brutal exploration of the consequences of wish fulfillment.      Read more…

Now running through May 14

REVOLUTION IN A CATSUIT at the Bootleg Theatre

(Photo by Richard Pope)

(Photo by Richard Pope)

Deborah Klugman – Stage Raw

In Revolution in a Catsuit, directed by Michael Philip Edwards, playwright/lead performer Somi De Souza aims to tackle the problems of ethnic minorities in the entertainment industry — the tendency for directors, casting directors and producers to stereotype people of color and, even more deplorably, cast white actors in minority roles. Read more…

Now running through April 30