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Archive for June 2018 – Page 2

HOSTAGE at the Skylight Theatre

Ed Krieger

Ed Krieger

Deborah Klugman – Capital and Main

On November 4, 1979, several hundred Iranians, mostly students, stormed the American embassy in Tehran and took 60-odd hostages — 52 of whom were held captive for 444 days. It was a humiliating event for the U.S. government and, in general, a wake-up call for Americans…..

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Now running through June 24

HER PORTMANTEAU at Boston Court Pasadena

Craig Schwartz

Craig Schwartz

Neal Weaver  – Stage Raw

This play by Nigerian-American playwright Mfoniso Udofia is part of a projected cycle of nine plays about the lives of the Ufot family in Nigeria and America.
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Now running through June 30

PARADE at the Cerritos Center for the Performing Arts

Caught in the Moment Photography

Caught in the Moment Photography

Dany Margolies – The Daily Breeze

People apparently must hate another group they barely know, no matter the race, religion or financial bracket.

The Judeo-Christian Bible reflects back to us myriad examples of this untethered hatred. Eastern and Western history serializes it. And it fills today’s media.
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Now running through June 10

 

RESA FANTASTISKT MYSTISK at the Broadwater Main Stage

Scott Golden

Scott Golden

Terry Morgan  -  Stage Raw

One of the pleasures of the Hollywood Fringe Festival is discovering something genuinely original amid the minefield of one-person shows. ’s revival of its 1999 production of Resa Fantastiskt Mystisk, written by obscure Swedish playwright Lars Mattsun, is one of these finds.
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Now running through June 22

CABARET at the Celebration Theatre

Matthew Brian Denman

Matthew Brian Denman

Katie Buenneke – Stage Raw

By now, Kander and Ebb’s 1966 musical Cabaret is as much a part of the American musical theater canon as Oklahoma. While it’s much darker than most of its Rodgers and Hammerstein counterparts (save, perhaps, for Carousel), it now feels like an old standby, performed by regional theaters and colleges nationwide. Read more…

Rob Stevens – Haines His Way

Christopher Isherwood’s 1945 novel Berlin Stories was turned into a Broadway play called I Am A Camera in 1951 and later filmed, both starring a young Julie Harris as the desperate to be decadent cabaret performer Sally Bowles in 1930s Berlin. Read more…

Ellen Dostal – Musicals in L.A.

Kander & Ebb’s political musical Cabaret captures a horrific period in history. Set in 1929-1930 as the Nazis were coming into power, it is an unsparingly direct window into the deterioration of a country systematically brainwashed by the lunacy of a madman. It could never happen here, right? Read more…

Erin Conley – On Stage & Screen

“There was a cabaret, and there was a master of ceremonies, and there was a city called Berlin, in a country called Germany, and it was the end of the world.” Read more…

Harker Jones – Arts In LA

Based on the play I Am a Camera by John Van Druten (itself based on Christopher Isherwood’s novel The Berlin Stories/Goodbye to Berlin), Cabaret is a legendary musical: both the eight-time Tony-winning 1966 Broadway production and the eight-time Oscar-winning 1972 film adaptation.
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Now running through August 17

 

PLUNGE at Son of Semele

Photo by Son of Semele

Photo by Son of Semele

Terry Morgan  -  Stage Raw

James Joyce in his A Portrait of the Artist as a Young Man famously wrote, “History is a nightmare from which I am trying to awake.” That sentiment describes a lot of historical fiction, in which the sins of the past reverberate endlessly down decades or centuries into the present. Read more…

Now running through June 17

MEANWHILE, BACK AT THE SUPER LAIR at The New American Theatre

Jeannine Wisnosky Stehlin

Jeannine Wisnosky Stehlin

Deborah Klugman – Stage Raw

The world of super heroes can be fun to satirize, and Greg Kalleres’ Meanwhile, Back at the Super Lair, directed by Jack Stehlin, is a potentially entertaining spoof, with enough irony and character-driven humor for an adept actor to play with. Read more…

Now running through June 23