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Archive for Edge on the Net – Page 2

A PERMANENT IMAGE at Theatre/Theater

Photo  by John Flynn

Photo by John Flynn

Margaret Gray – LA Times

Here’s a deal, L.A. theaters: We’ll happily watch all the liquored-up-dysfunctional-family-reunion dramas you care to stage, as long as you cast Anne Gee Byrd as the mother. Read more…

Deborah Klugman – Stage Raw

Like his other plays, Samuel D. Hunter’s A Permanent Image is set in the arid cultural wasteland of northern Idaho. Read more…

Les Spindle –  Edge on the Net

Obie-winning playwright Samuel D. Hunter (“The Whale,” “A Bright New Boise”) is among the most vibrant and relevant voices in contemporary theater, known for his daring works of uncompromising emotional resonance and psychological depth. Read more…

Dany Margolies  -  Arts In LA

Ah, to be in northern Idaho, where an ordinary couple could peacefully parent a son and daughter, and then spend their golden years wallowing in substance abuse and unenlightening religious worship. em>Read more…


Now running through July 20.

COMPANY at the Scherr Forum Theatre, Thousand Oaks Civic Arts Plaza


Les Spindle –  Edge on the Net

Stephen Sondheim’s groundbreaking 1970 musical, “Company,” about romance and loneliness in the big city, remains a quintessential snapshot of the era in which it bowed, as viewed through the eyes of a commitment-phobic young bachelor. Read more…

Jonas Schwartz -  Arts In LA

Launching a version of Company, Stephen Sondheim’s groundbreaking 1970s musical, is a daunting task. The script focuses on Bobby, a passive character who observes his friends’ marriages. It requires a compelling actor who fills the vessel that Sondheim and his librettist George Furth had forged. Read more…

Now running through February 8.


SERIAL KILLER, BARBIE at the NoHo Arts Center


Les Spindle –  Edge on the Net

This fall, a string of new musicals that spoof horror films was kicked off with “Scary Musical, The Musical” and “Scream!” Those productions are now joined by ”Serial Killer Barbie,”featuring a book and lyrics by Colette Freedman, with music and additional lyrics by Nickella Moschetti. Despite its amusing title, “Barbie” is less concerned with sending up the horror genre than offering a boisterous off-the-wall satire of adolescent angst and crass social values. Read more…

Now running through December 21.

YOU LOVE THAT I’M NOT YOUR WIFE at the Avery Schreiber Playhouse


Les Spindle –  Edge on the Net

A new theater group, the Fringe Theatre Company in North Hollywood, offers the premiere of an ensemble play set in contemporary L.A. Writer-director Joanne Mosconi’s “You Love That I’m Not Your Wife” is a multi-character battle-of-the-sexes comedy in which various couples and potential couples face myriad challenges in starting and/or solidifying relationships. Read more…  yl

Now running through Oct. 5.  ylll



Photo by Michael Lamont

Les Spindle –  Edge on the Net

Picture the myriad sequels and copycat films that were spawned by “Scary Movie,” which itself seemed inspired by “Airplane!” the granddaddy of all off-the-wall genre sendups. Add in a goofy rock score that is equal parts “Rocky Horror Show” and “Rock of Ages,” with a touch of Monty Python on speed. The hilariously grisly result of that audacious brew is an intimate new stage tuner called “Scary Musical, The Musical,” which has bowed at the NoHo Arts Center. Read more…scary

Now running through November 9.

COCK at Rogue Machine Theatre



Les Spindle –  Edge on the Net

Also known as “Cockfight Play,” a perhaps less threatening title preferred in some media outlets, Mike Bartlett’s Olivier Award winning British play, “Cock,” makes its L.A. debut in a taut and terrific staging. Read more…

Margaret Gray – LA Times

“We’re just going around in circles,” a character accurately observes in British playwright Mike Bartlett’s “Cockfight Play,” having its L.A. premiere at Rogue Machine Theatre. (The actual title, unprintable here, is two syllables shorter. Read more…

Steven Leigh Morris  – LA Weekly

English playwright Mike Bartlett’s Cock premiered at London’s Royal Court Theatre when he was 29. Even now, he’s only in his mid-30s. His tautly written play is also a love story, but one that has little to do with The End. Read more…

Neal. Weaver – Arts in LA

Mike Bartlett’s long one-act is a tale of uncertain sexual identity. It attempts to be both visceral and abstract. The central figure is John (Patrick Stafford), the only character who is given a name. He has been living for some time with his lover M (for Man?), played by Matthew Elkins. John claims to love M, but when a young woman, here called W (Rebecca Mozo), takes an erotic interest in him, he succumbs almost immediately to her blandishments, and they tumble into bed. Read more…

Hoyt Hilsman  -  Huffington Post

British playwright Mike Bartlett’s play (whose actual title is less family-friendly) about the ambivalence of love and sexuality, which won the Olivier Award in its 2010 production in London, has both the rewards and the shortcomings of a traditional “problem play.” Read more…

Now running through November 3.

THOROUGHLY MODERN MILLIE at Glendale Centre Theatre

Les Spindle –  Edge on the Net


Director Danny Michaels’ and co-director/choreographer Orlando Alexander’s bare-bones production of “Thoroughly Modern Millie” is a smorgasbord of giddy fluff.  Read more…


Now running through Oct. 4.

ONE IN THE CHAMBER at the Lounge Theatre

Photo by Chelsea Coleman Photography

Bob Verini -   Arts In LA

For committed theatergoers, there’s no happier occasion than stumbling upon a mature, polished work of dramatic art where you never expected to find one. In the little hole-in-the-wall Lounge on Santa Monica Boulevard, 6140 Productions is putting up the world premiere of Marja-Lewis Ryan’s One in the Chamber, and you will not encounter a more stimulating evening of theater this year, nor one harder to shake off. Read more…

Les Spindle –  Edge on the Net

Marja-Lewis Ryan made a notable debut as a playwright in 2011, with “Dysnomia,” at the Lounge Theatre in Hollywood. The seriocomic play, about a matriarch in an ostensibly idyllic suburban household who suddenly announces to her husband and children that she is coming out of the closet, was trenchantly amusing and extraordinarily moving.  Read more…

Now running through September 7.

DORIS AND ME at the El Portal Theatre

Photo by Ed Krieger

Photo by Ed Krieger

Les Spindle –  Edge on the Net

Thanks to fans of iconic movie star Doris Day, this past April felt like a month-long Day-fest in cyberspace, as postings about the reclusive performer’s unexpected appearance at her 90th birthday celebration flooded social media for several weeks.  Read more…

Now running through August 3.

BUYER AND CELLAR at the Mark Taper Forum

Photo by Joan MarcuLes Spindle – Edge on the Net

Les Spindle – Edge on the Net

Michael Urie proves to be a virtuoso clown, a consummate actor, and a force of nature, all rolled into one, in his tour de force solo turn in Jonathan Tolins ‘ irresistible showbiz comedy, “Buyer & Cellar.” Read more…

Pauline Adamek  – Stage Raw

Sweet and snarky, with a few cheap shots and a lot of belly laughs, Buyer & Cellar is a hilarious one-person show about a struggling actor’s brief period of working for a major celebrity. Read more…

Myron Meisel – The Hollywood Reporter

Fresh off an acclaimed New York run where it won multiple awards for best solo show and performance, Jonathan Tolins’ snarky yet sneakily sentimental Buyer & Cellar, starring Emmy nominee Michael Urie (Marc St. James in the long-running series Ugly Betty), represents some kind of ne plus ultra of a mainstream gay one-hander. Read more…
Now running through August 17.



Source:Courtesy of Michael Sterling


Les Spindle –  Edge on the Net

June was busting out all over on the first of the month at the popular Sterling’s Upstairs supper club at the Federal bar and restaurant in North Hollywood. In fact, the “busting out” included some earthquake tremors right in the middle the show, but the devoted performers carried on without a hitch. Read more…

BE A GOOD LITTLE WIDOW at the Noho Arts Center

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Photo by Andrew Pagana

Les Spindle –  Edge on the Net

Gracefully segueing from what initially seems like a breezy romantic comedy to a thoughtful and heart-wrenching portrait of grief, family dynamics, and life’s unpredictable twists and turns, Bekah Brunstetter’s 2011 Off-Off-Broadway play “Be a Good Little Widow” shines in its L.A. debut. Read more…

Pauline Adamek  – Stage Raw

It’s hard to tell if Bekah Brunstetter’s play is a tired string of clichés or if any dramatization of dealing with the loss of a spouse, as in Be a Good Little Widow, inevitably hits the same familiar notes. Read more…
Now running through May 25.