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Archive for South Coast Repertory – Page 3

ZEALOT at South Coast Repertory

Photo by Debora Robinson

Photo by Debora Robinson

Myron Meisel – Stage Raw

Set entirely in the confines of the office of the British Consul in Mecca, Saudi Arabia, during the first day of the annual Hajj pilgrimage, Zealot, by the well-established and prolific Theresa Rebeck (Seminar, Mauritius, Bad Dates, Spike Heels), cannot avoid being a presumptuous play, satirizing and exposing obtuse Western perceptions that fig-leaf heedless and narrow interests while inevitably giving way to indulging in ironic Near East Orientalisms of its own. Read more…

Hoyt Hilsman  -  Huffington Post

Theresa Rebeck’s dramatic essay on the many layers of conflict in the Middle East – political, religious, cultural and diplomatic – is a deftly drawn piece of Shavian drama that satisfies on several levels. Read more…

Now running through November 16.

VENUS IN FUR at South Coast Repertory

Photo by Debora Robinson

Photo by Debora Robinson

Steven Leigh Morris  – LA Weekly

David Ives’ Tony-nominated 2010 sexual comedy, Venus in Fur, is to eroticism what Yasmina Reza’s Art is to painting. Both are beguiling, erudite parlor games that keep fluttering around the issues they purport to investigate. Read more…

Now running through Oct. 26.

THE TEMPEST at South Coast Repertory

Photo by Smith Center/Geri Codey

Photo by Smith Center/Geri Codey

Terry Morgan  -  Stage Raw

The current production of The Tempest at South Coast Repertory is the best version of the play I’ve ever seen.

It does something seemingly obvious, yet not so obvious that I’ve seen it before: It focuses on the magic. This isn’t to say that it skimps on vengeance, forgiveness or young love, but director/adaptors Aaron Posner and Teller bring the magic to the forefront, and it’s dazzling.  Read more… 

Myron Meisel – The Hollywood Reporter

There are no less than five productions of The Tempest this late summer in Southern California, a testament perhaps to the durable appeal of the play’s autumnal vision, all promising fresh variations — including no less than two female Prosperos. So perhaps tricking out the play’s fantastical manipulations of the elements and minds of men with stage prestidigitation (masterminded by celebrity co-director and adapter Teller) may not be such an outre innovation. Read more…

Now running through Sept. 27.

THE FANTASTICKS at Segerstrom Stage, South Coast Repertory

Perry Ojeda, Addi McDaniel, Nate Dendy and Anthony Carillo in So

Photo credit: Henry DiRocco


THE FANTASTICKSBook and lyrics by Tom Jones, music by Harvey Schmidt.


David C. Nichols — L.A. Times

The delicate theatricality of “The Fantasticks” has weathered countless editions worldwide since its off-Broadway premiere in 1960. But Tom Jones and Harvey Schmidt’s adaptation of Edmond Rostand’s “Les Romanesques” has perhaps never before enjoyed the elevated insight of the daring transplant irradiating South Coast Repertory.
Read more…

Bob Verini – ArtsinLA
Not only does helmer Amanda Dehnert’s take on The Fantasticks at South Coast Rep justify yet another revival of an overfamiliar warhorse, but it also reminds us of the fundamental reasons the Tom Jones–Harvey Schmidt valentine has been a perennial for more than 50 years and is likely to remain one. Read more…


The Whale, South Coast Repertory

Photo by Scott Brinegar/SCR.

Photo by Scott Brinegar/SCR.


The Whale by Samuel D. Hunter.


Deborah Klugman – ArtsBeatLA

In Samuel D. Hunter’s The Whale, Charlie (Matthew Arkin) an obese gay man confronting his own mortality reaches out to the daughter he walked out on years ago. Like Hunter’s play A Bright New Boise (produced to justifiable acclaim last year by Rogue Artists in Los Angeles), this drama is set in Idaho, and centers on one troubled man’s quest to connect with lost kin, and secondarily on a younger man’s overwhelming desire to connect with God.
Read more…



How to Write a New Book for the Bible, South Coast Repertory

Photo by Henry DiRocco/SCR.


How to Write a New Book for the Bible by Bill Cain.


Melinda Schupmann –

Narrator Bill (Tyler Pierce) enters with a notebook in hand and announces: “First rule of writing? Write what you know. If writers stuck to it, there would be no books.” On that note, over time, we learn that Bill is a writer, a priest, and, ultimately, a caregiver for his dying mother. Family, we find out, is where we learn what we know. Read more…