David C. Nichols – LA Times Family dysfunction, that age-old staple of the dramatic canon, permeates the walking wounded that populate “The House of Yes” in a respectable, albeit still-gelling 25th anniversary revival at the Zephyr. Read more… Now running through June 14.
Paul Birchall – Stage and Cinema In his solo show, playwright Nicholas Guest describes his life and travels around the world. He’s accompanied by Hillary Smith on the cello and by Tony Carafone on the guitar (in the play, not his travels) – and they turn out to be a helpful pair, too, because Guest … Read more
Bob Verini – Arts In LA First things first: Dirty is by no means dirty, at least insofar as habitues of Melrose Avenue’s Zephyr Theatre might expect. That particular venue has hosted more than its share of full-frontal nudity and simulated sex acts over the years. Read more… Steven Leigh Morris – LA Weekly In its rather earnest … Read more
Deborah Klugman – Stage Raw The plight of homeless women veterans is a story that needs to be told, not once but many times. In Low Hanging Fruit, playwright Robin Bradford makes that story her aim, but her script has been rushed to the stage too soon. Read more… Now running through October 26.
Terry Morgan – LAist Having seen a couple of plays written by Bruce Norris, (Clybourne Park and The Parallelogram) I’m beginning to detect a theme in his writing. He seems to find the purportedly liberal beliefs of certain rich white people worthy of ridicule, specifically convictions of a “politically correct” strain. Nowhere is this clearer … Read more
Les Spindle – Frontiers Veteran playwright-screenwriter-director Del Shores (Sordid Lives, Yellow) dons a producer’s hat for an encore production of Matthew Leavitt’s raucous sex comedy, The Boomerang Effect. This episodic play, charting the subtly interrelated lives of five couples in five separate bedrooms, premiered at the Odyssey Theatre in April 2012. Read more Now running through July … Read more