F. Kathleen Foley – Stage Raw While I have seen the show before, this staging by director Julia Rodriguez-Elliott’s staging at A Noise Within made me feel that I was seeing it for the first time. Rodriguez-Elliott, who also choreographs, marshals her able actors — all of whom play multiple roles — with military … Read more
F. Kathleen Foley – Stage Raw In his beautifully constructed, rigorously researched play, Skora, who also directs, drew not only from historical records but also from extensive interviews with those most intimately familiar with the case. The result is a deft, surprisingly funny, and ultimately moving drama that sheds light on a largely forgotten footnote … Read more
F. Kathleen Foley – Stage Raw Director Michael Rothhaar’s staging of the play, now at Pacific Resident Theater, started out as a workshop before being incorporated into the company’s regular season. From Taubert Nadalini’s rudimentary set to Michael Franco’s flat lighting, the production still seems a bit unfinished, but while the execution is uneven, it … Read more
F. Kathleen Foley – Stage Raw Existence provides ample opportunity for two gifted actors to shine. Veteran director John Perrin Flynn, the former artistic director of Rogue Machine, stages the proceeding with an emotional simplicity that makes the most of his material’s limitations. Read more… Ed Rampell – Hollywood Progressive This is an excellent character … Read more
Edward Hong – The Nerds Of Color Despite a mighty and delightful ensemble cast, the Play On Shakespeare‘s modern verse translation of William Shakespeare‘s Pericles at Boston Court Pasadena is a bit of a head-scratcher. By attempting to fuse modern dialogue with Shakespearean language, it creates an off-putting rhythm that isn’t helped by the direction’s contrived ‘play within a play’ … Read more
F. Kathleen Foley – Stage Raw There’s an inherent problem with Love, Loss and What I Wore, currently playing at Sawyer’s Playhouse in North Hollywood. The show assumes women have a near-fetishistic preoccupation with their clothing — the perfect blouse, the slinky skirt, the knee-high boots that tie the whole look together. Read more…
F. Kathleen Foley – Stage Raw More than four decades after its premiere, Phantom of the Opera remains one of the greatest of theatrical experiences. This touring production honors that legacy, reminding us why the masked and pitiable Phantom continues to haunt the Paris Opera House — and our imaginations. Read more…
Ed Rampell – Hollywood Progressive Will Geer Theatricum Botanicum’s adaptation of Robert Louis Stevenson’s classic pirate novel Treasure Island is absolutely good fun. Audiences today are used to watching action stories on screens, but beholding the WGTB troupers leap off of the page onto the stage to enact duels, chases, pistol, musket and cannon … Read more
Terry Morgan – ArtsBeatLA The world seems to be suffering an empathy shortage lately, or at the very least the lack of that quality in our current leaders. Worse, there is an impression in some parts of society that empathy is simply another word for weakness: they don’t have it, they don’t want it, … Read more
Travis Michael Holder – TicketHoldersLA This production is richly produced, newly balanced with a remarkable updated script, and acted with exceptional clarity and heart, proving you don’t have to break a Golden Age classic to make it matter to modern audiences—you just have to find its heartbeat. Read more… F. Kathleen Foley – Stage Raw … Read more