Les Spindle – Edge on the Net Celebrated composer-lyricist Meredith Willson (1902-1984) had a colorful but surprisingly limited Broadway career, which included “The Unsinkable Molly Brown” (1960), “Here’s Love” (1963), and his most indelible musical, “The Music Man” (1957). Read more……
Myron Meisel – The Hollywood Reporter The new intimate room at the old Beverly Hills post office has been nostalgically configured as a vintage supper club with alcohol and food service for this sentimental yet substantial cabaret performance of Noel Coward‘s…
Neal Weaver – Arts In LA Lee Blessing’s taut and subtle two-character drama proves that a play with a small cast can deal with large issues. Cora Gage (Nan McNamara) is a British ophthalmologist, living in St. Ives, who is…
Deborah Klugman – ArtsBeatLA One would have thought (perhaps hoped is the better word) that Jerome Lawrence and Robert Edwin Lee’s 1955 play Inherit the Wind, about the 1925 Scopes “monkey” trial, would have lost some of its relevance by now. Like Arthur Miller’s The Crucible, it was written…
Melinda Schupmann – Arts In LA When Aristophanes penned Lysistrata in 411 BC, he could hardly have imagined that his play would have spawned the many innovative modifications that have taken place over the centuries. The concept is irresistible: A group…