Deborah Klugman – LA Weekly August Wilson’s plays are as much about the historical experience of African-Americans as they are about any one of his characters. This is certainly true of Fences, which begins in 1957, a year marked by federal…
Pauline Adamek – Stage Raw It’s a little difficult to get a fix on writer-performer John Posey’s solo show Father, Son & Holy Coach, which first premiered in 1993 at The Santa Monica Playhouse. Is it a true story? Is it…
Paul Birchall – Stage Raw For your evening of Difficult (but still Engaging) Theater, you might have done worse than attending the New Works Festival at REDCAT. Staged over the past three weeks, the festival has featured numerous performance pieces…
Dany Margolies – The Daily Breeze A producer, a director and a screenwriter are locked in a room for five days trying to churn out a script for one of filmdom’s biggest epics. What could go wrong is the stuff…
Les Spindle – Frontiers L.A. This offbeat autobiographical piece by writer-director-performer Dr. Merle Conscious Soden, subtitled Homeless to Hollywood, makes up for lapses in technical polish with sly humor, heart and sincerity. Read more… Now running through September 19.