Terry Morgan – Stage Raw Watching A Noise Within’s new production of Sam Shepard’s Buried Child, I was struck by how closely the first act resembles Pinter’s The Homecoming. A man who’s been away from his family for some time returns, accompanied…
Jonas Schwartz – BroadwayWorld BETWEEN RIVERSIDE AND CRAZY, which makes its Los Angeles debut at The Fountain Theatre, is a hard-hitting drama about wanderers, those unattached, ungrounded people who lack the support to make smart choices, but still deserve grace and…
Deborah Klugman – Stage Raw The Abuelas is the second play by Stephanie Alison Walker to address the tragedy of Los Desaparecidos — Argentinian citizens who opposed the military junta that governed the country between 1976 and 1983 and who fell…
Terry Morgan – Stage Raw In today’s parlous theatrical economy, more must be done with less, which explains the proliferation of one-person shows on some of our larger stages. This is understandable in a pecuniary sense, if regrettable in an…
Deborah Klugman – Stage Raw Gem of the Ocean, August Wilson’s play about sin, salvation and the power of the supernatural, takes place in 1904, a mere four decades following the end of the Civil War. Written near the close…