The Los Angeles Drama Critics Circle views the impending changes of policy concerning the small theaters of the greater Los Angeles area with alarm. We are concerned that the inevitable result of such changes will be a drastic reduction in…
Sharon Perlmutter – Talkin’ Broadway There are two things that doom A Noise Within’s production of The Threepenny Opera. The first is enunciation. The cast seems so concerned with keeping up their British accents throughout the proceedings, they don’t go a…
Deborah Klugman – LA Weekly Al Pacino and Robert Duvall are among the performers who have played Teach, the deluded, out-of-control conman who spurs much of the seamy shenanigans in David Mamet’s American Buffalo. While I’ve never been privileged to…
David C. Nichols – LA Times The fluff and fold of old-school boulevard comedy typifies “Washer/Dryer” at East West Players. Indeed, playwright Nandita Shenoy’s study of intercultural newlyweds attempting to co-habit in a New York City co-op is an amiable…
Deborah Klugman – Stage Raw People who play virtual reality games might have a readier appreciation of the unanticipated twists in Mac Rogers’ play than those of us who don’t. It’s hard to say. Read more… Now running through March 7.
Jonas Schwartz – Arts In LA Musical Theatre West accentuates everything best about the Rodgers and Hammerstein classic South Pacific. Director Joe Langworth has acquired a talented cast, enhanced the naturalistic script so that the songs emerge from the actors conversationally,…
Myron Meisel – Stage Raw Argentinian theater auteur Mariano Pensotti returns to REDCAT three years after his remarkable The Past is a Grotesque Animal with an even more intricately woven tapestry of tales. Cineastas, which closes this weekend, is incontrovertibly one of the…
Neal Weaver – Stage Raw Last year, Teatro De La O and writer/director/couturier Octavio Carlin produced a show called Hollywood Party. It was set in Hollywood in the Silent Era, and featured campy, not very convincing impersonations of the famous divas…
Margaret Gray – LA Times Ruskin Group Theatre has revived the Canadian classic “Leaving Home,” David French’s heavily autobiographical first play. It’s in some ways an odd choice for the little Los Angeles theater. Although its theme—intergenerational misunderstanding—is universal, the…
Dany Margolies – Arts In LA This Conor McPherson script fits squarely within his oeuvre—of poetic plays about souls seeking human connection in the midst of supernatural forces. However, unlike other Los Angeles productions of his works—including the Geffen Playhouse’s The…