Neal Weaver – Stage Raw The church referred to by playwright Allen Barton in his play is never identified, but the details of his story evoke the horror stories told by disillusioned former Scientologists: accounts of demands for total conformity,…
Myron Meisel – Stage Raw Betty (Renee Ulloa-McDonald), “a nice girl”, sits on a bench, reading a book. She is approached by a figure in mime-like whiteface wearing dinner dress (Jeffrey Gardner), who asks her if she “has” the time. Read…
Paul Birchall – Stage and Cinema This fascinating drama by playwright Zayd Dohrn is set in the bizarre subculture of women who buy dolls that eerily resemble actual babies. Can this possibly be enough material here for a play? Read more……
Les Spindle – Edge on the Net Stephen Sondheim’s groundbreaking 1970 musical, “Company,” about romance and loneliness in the big city, remains a quintessential snapshot of the era in which it bowed, as viewed through the eyes of a commitment-phobic young bachelor. Read…
Paul Birchall – Stage and Cinema After watching the roaring, sputtering, and cursing along with regretful descriptions of drug use and parental abuse back in the “bad old days,” I had to ask myself, “Wha’ kind of crazy fucking show…
Steven Leigh Morris – Stage Raw Herbert the Chihuahua discusses Mitch Hara’s Mutant Olive Herbert the Chihuahua was sitting in the front row of the Lounge Theatre on Saturday night, cradled by his female owner. She and an unidentified man to her…
Jenny Lower – LA Weekly Before the sun dawns on There Is a Happiness That Morning Is, written by Mickle Myers and directed by Ruth Silveira at Sacred Fools, the glorious stuff of clickbait headlines has already taken place. Read more……
Pauline Adamek – Stage Raw Writer-director (and classical pianist) Allen Barton gained critical acclaim last year with his play Years To The Day, presented by Skylight Theatre Company. It was a futuristic satire of our self-important discussions of movies and tech…
Paul Birchall – Stage Raw Playwright David Auburn’s Pulitzer Prize winning drama about love, grief, and higher mathematics gets a solid, if not prime (in the Gaussian sense) staging in director John Markland’s elegiac production. Markland’s production emphasizes subtext and…
Neal Weaver – Stage Raw Photo-journalist Sarah (Prescilliana Esparolini) and foreign correspondent James (Aidan Bristow) are a cracker-jack team, who have travelled the world, covering its wars and hot-spots, and they are also lovers, who have been together for eight…