Harker Jones – BroadwayWorld. Directed and choreographed by Tony winner Casey Nicholaw, the musical is colorful and energetic and snarky and heartfelt all at once. He gets fantastic performances from his actors and the flow from rocking to reflective in…
Martίn Hernández – Stage Raw Welcome to the studios of K-GRT 73, North Hollywood’s home of radio theatre, otherwise known as the upstairs space of the Group Repertory Theatre. Artistic Director Doug Haverty has adapted four works from veteran Los…
Patrick Chavis – The Orange Curtain Review I watched the World premiere of Sustained Release yesterday, written by local Orange County Playwright Matthew M. Hayashi, in a 3-car garage. Don’t be fooled by this humble location. The Larking house isn’t fixing cars…
Don Shirley – Angeles Stage Plus ‘Annie,’ ‘Clyde’s,’ ‘Invincible,’ Sheldon Epps’ memoir. Tis the season for Troubadour Theater’s annual holiday hoot. As usual, it’s a refreshing antidote to too many competing “Christmas Carol”s. This year Troubies director Matt Walker takes aim…
Katie Buenneke – Theatre Digest If you’re a long-time subscriber to this newsletter, you know that I love to check out a new musical that mashes up pop songs with a classic story. Sometimes, those shows are good and fun…
Terry Morgan – Stage Raw There has been much discussion in recent years on social media concerning whether or not the 1998 film Die Hard qualifies as “a Christmas movie.” On the surface, the Bruce Willis actioner may not seem to be…
Martίn Hernández – Stage Raw In the 1990s, playwright Justin Tanner was the wunderkind of small venue L.A. theatre. Tanner churned out hit after hit, like Pot Mom, Zombie Attack, and Teen Girl, for the now defunct Cast Theatre, where he was resident playwright.…
Socks Whitmore – Stage Raw It’s December in Los Angeles and ‘tis the season for LA’s self-proclaimed longest-running “holiday hit,” Bob’s Holiday Office Party. Written by Joe Keyes and Rob Elk, this outrageous comedy began as an “improvised romp” in 1995, and…
Deborah Klugman – Stage Raw In 1960, Edward Albee and Harold Pinter were young playwrights whose work challenged theatrical convention and the expectations of critics and audiences. Both Albee’s brief two-hander, Fam and Yam, and Pinter’s lengthier one-act, The Dumb Waiter, received English language…
Martίn Hernández – Stage Raw Ranging from the hypnotic to the hilarious, the sublime to the silly, director Russell S. Beattie’s loving burlesque lampoon of the Star Wars movie canon offers up a bevy of ecdysiasts displaying a different way of The…