A FLEA IN HER EAR by George Feydeau. Shirle Gottlieb for Gazette Newspapers When someone says the word “farce,” the first name that comes to mind is Feydeau. Indeed, “farce” and Feydeau are synonymous.Read more…
ANNAPURNA by Sharr White Pauline Adamek – ArtsBeatLA In playwright Sharr White’s quirky two-person drama, directed by Bart DeLorenzo, a formerly married couple reunites and tries to make sense of their estrangement. Married in real-life actors Nick Offerman and Megan Mullally face off in this odd-ball drama of lost love and recriminations.Read more…
FELA! Book by Jim Lewis and Bill T. Jones Pauline Adamek – ArtsBeatLA Pounding rhythms, colorful tribal costumes, exquisitely light and authentic African choreography, visually stunning staging and politically charged lyrics – Fela! is a biographical funk concert musical that is not to be missed! Add a charismatic and gifted performer as the central subject (Adesola … Read more
IT GOES LIKE THIS by JACK BETTS. Pauline Adamek – LA Weekly Written and directed by veteran actor Jack Betts, It Goes Like This is a personal story, clumsily told. Leaden-footed, as if cast in concrete, the melodramatic saga manages to be both utterly predictable yet also contain enough dramatic revelations to rival a telenovela. Kevin McCorkle rigidly portrays a highly decorated … Read more
THE PARISIAN WOMAN by Beau Willomon. Deborah Klugman – ArtsBeatLA In the title role Dana Delaney transforms Beau Willomon’s middling comedy into a crackling satire that makes trenchant commentary on the abuse of power. Delaney plays Chloe, the wife of an ambitious lawyer (Steven Weber) on the short list to be the President’s pick for attorney general. … Read more
A CHORUS LINE – music by Marvin Hamlisch, lyrics by Edward Kleban, book by James Kirkwood, Jr. and Nicholas Dante. by Shirle Gottlieb – Gazette Newspapers In 1974, dancer/choreographer Michael Bennett asked 18 dancers why they auditioned for the chorus when the demand for musicals was in decline, there was little work in large productions, and everyone was struggling to … Read more
NEVERWHERE by Robert Kauzlaric, adapted from the novel by Neil Gaiman. David C. Nichols – LA Times Noteworthy creativity accompanies “Neverwhere” in its ambitious West Coast premiere at Sacred Fools. Robert Kauzlaric’s adaptation of Neil Gaiman’s novel about a parallel world beneath London isn’t flawless, but director Scott Leggett and his resourceful forces turn virtual handsprings to make it play.Read more…
BILLY & RAY by Mike Bencivenga. Bob Verini – ArtsInLA.com “Billy & Ray,” at the Falcon in Burbank, is Mike Bencivenga’s depiction of the collaboration between B. Wilder and R. Chandler on the homicidal film noir classic “Double Indemnity.” If you can make it through act one’s outrageous overacting, jokes that fail to land, and exposition and … Read more
Slipping by David Talbott. Sharon Perlmutter – Talkinbroadway.com There is much to admire about the writing, and directing, of the Rattlestick production of Daniel Talbott’s Slipping. On a scene-by-scene basis, Talbott has a true gift for realistic dialogue; and, when directing his own work, he knows exactly where the pauses ought to go, to make for true-to-life … Read more
AMERICAN MISFIT by Dan Dietz. Bob Verini – ArtsInLA.com It’s easy to describe the formal aspects of Dan Dietz’s “American Misfit,” a world premiere at the Theatre @ Boston Court. Its meaning proves a much bigger headscratcher. Read more…