Neal Weaver – Stage Raw In the 1974 Broadway comedy My Fat Friend, Lynn Redgrave played a zaftig young woman thrilled that a man has shown an interest in her. When he’s called away for a time, she resolves, with the…
Deborah Klugman – Stage Raw Come late to a performance of Impro Theatre’s Shakespeare Unscripted and you’ll likely be greeted with an ironic round of applause from the audience members who have been waiting for you to arrive. Latecomers react with good-natured…
Myron Meisel – The Hollywood Reporter Porgy and Bess (the lamentable and disingenuous branding title will not be employed again by this writer) is one of those incomparable works of art that necessarily is always somewhat imperfect in performance. It is…
Hoyt Hilsman – Huffington Post A Coffin in Egypt, a rarely produced 1980 play by Horton Foote would seem an unlikely subject for an opera, but in the hands of the marvelous Frederica von Stade and the talented composer and…
Terry Morgan – Stage Raw “We swirl about in a vortex of beastliness,” wrote Noël Coward in his 1924 drama The Vortex. True enough. While this story of selfish socialites being forced to acknowledge the effects of their actions hasn’t retained…