COYOTE ON A FENCE at Arena Stage
Dany Margolies – Arts In LA Coyotes don’t play fetch and greet us at the door and guard us in our homes. Coyotes are the predator version of our snuggly pups. They are the canines with the need to kill,…
Dany Margolies – Arts In LA Coyotes don’t play fetch and greet us at the door and guard us in our homes. Coyotes are the predator version of our snuggly pups. They are the canines with the need to kill,…
Neal Weaver – LA Weekly Writer-director Steve Sajich’s play consists of four tenuously interrelated scenes, centering on the murder of a hooker. For reasons best known to Sajich, the four scenes are juggled in performance, with the audience deciding what…
Deborah Klugman – LA Weekly As Bottom, performer Katherine Griffith may be the best reason to see this amusing but somewhat quotidian presentation of Shakespeare’s seasonal classic. Cast across gender by directors Melora Marshall and Willow Geer, Griffith’s likable blowhard…
Pauline Adamek – LA Weekly Each of two average, kitchen-sink tragedies, with some levity throughout, take as their focus the troubled relationship between adult daughters and their wayward, alcoholic parents. In You’ll Just Love My Dad, written by Stephanie Jones…
Steven Leigh Morris – LA Weekly Tony Kushner’s A Bright Room Called Day was first presented as a workshop in 1985 at New York’s Theatre 22, before receiving its premiere at San Francisco’s Eureka Theatre in 1987, directed by Oskar…