Anything Goes by Guy Bolton and P.G. Wodehouse; revised by Howard Lindsay andRussel Crouse; reworked by librettist John Weidman andTimothy Crouse. Pauline Adamek – ArtsBeatLA Wall-to-wall hit tunes, ear-to-ear grin all night long F U N ! – Cole Porter’s timeless classic musical theatre masterpiece, Anything Goes, has set sail at the Center Theatre…
The Santaland Diaries by David Sedaris. Pauline Adamek – LA Weekly The season brings with it enough Christmas- and holiday-themed fare to set your teeth on edge from sugar overload. Fortunately for the cynics among us, the Blank Theatrehas brought back its not-safe-for-children,…
Slipped Disc by Ingrid Lausund. Mayank Keshaviah – LA Weekly Bertolt Brecht, in defining his vision of “epic theater,” coined the term Verfremdungseffekt, or “alienation effect,” which implied that in order to be effective, theater should keep an audience from fully losing…
The Morini Strad by Willy Holtzman. Sharon Perlmutter – TalkinBroadway.com I have to admit out front that I’m not a huge fan of “unlikely friendship” plays, in which two complete opposites start out hating each other, but ultimately end up with a…
One November Yankee by Joshua Ravetch. Sharon Perlmutter – TalkinBroadway.com Joshua Ravetch’s One November Yankee is a play for two performers and an airplane. In the NoHo Arts Center world premiere production, that’s Harry Hamlin, Loretta Swit, and a two-seater yellow Piper Cub. The actors play three…