The Pianist Of Willesden Lane by Mona Golabek. Mayank Keshaviah – LA Weekly History is most powerful when we see the “all” through the small — the panorama of the textbook through the peephole of the personal. Acclaimed pianist Mona Golabek give…
Fluffy Bunnies in a Field of Daisies by Matt Chaffee. Mayank Keshaviah – LA Weekly “It’s not easy to say what this play is about. It’s not that kind of play,” says writer-director Matt Chaffee in the program notes, and he’s quite accurate in…
The Irish Curse by Martin Casella. Bob Verini – ArtsInLA As a dramatic event, Martin Casella’s The Irish Curse is a complete and utter contrivance. But within its rickety structure are some pungent, surprising observations on character delivered with a good deal of sincerity, and…
Macbeth by Shakespeare. Dany Margolies – ArtsinLA Are we, as an educated audience, expected to know exactly when Macbeth “turns”— when the pathologically evil ambition overtakes his soul? Or must the change in him be left open to interpretation? The answer may…
The Exorcist by John Pielmeier. Pauline Adamek – ArtsBeatLA The Geffen Playhouse have commissioned John Pielmeierto adapt author William Peter Blatty’s legendary horror story to the stage for a world-premiere presentation, and it’s difficult to comprehend why. Why take a sensational novel that was cleverly…