Frances Baum Nicholson –The Stage Struck Review
Every once in a while one comes across a performance which may outweigh the play it takes place in. In this case, a good play becomes greater because of one person who takes a playwright’s words and their own and their director’s understandings and makes of them something much more than the sum of those parts. This is Phylicia Rashad in “Head of Passes,” now open at the Mark Taper Forum.
Jonas Schwartz – TheaterMania
Throughout Act 1 of Tarell Alvin McCraney’s Head of Passes, now at the Mark Taper Forum, Phylicia Rashad plays a religious woman on her last legs who chooses her birthday to unravel family secrets. Nothing in that act prepares audiences for the awe-striking flow of passion that emits from the famous actor in Act 2 as she spews fury at God……..
Deborah Klugman – LA Weekly
In Head of Passes, playwright Tarell Alvin McCraney strives to create a narrative of epic proportion, but with only moderate success. Directed by Tina Landau at the Mark Taper Forum, the play nonetheless is worth seeing for the questions it poses, the production’s finely-tuned ensemble, and the lead performance by Phylicia Rashad as a devout woman sorely tested by her God.
Now running through October 22