Anita W. Harris – LA Theatrix It’s a lot to cover, but under Daniel’s direction, the action is engagingly fluid and suspenseful – you really don’t know what’s going to happen next – heightening the story’s innate tensions. And due to the actors’ vibrant portrayals, the characters stay with you long after exiting the theatre, … Read more
Anita W. Harris – LA Theatrix Under the direction of Todd Nielsen, the actors are meticulous both in their deliveries and intricately timed movements, so the audience is always clear as to what’s going on amid the surprising twists and turns. Read more…
Travis Michael Holder – TicketHoldersLA Anyone who’s been privy to my usual grumblings concerning the dated nature of traditional musical comedy as opposed to the innovation of contemporary musical theatre will appreciate my excitement about David Lindsay-Abaire’s multiple-Tony-winning 2021 musical adaptation of his also award-winning play. To me, it’s the quintessential paradigm of how such … Read more
Terry Morgan – ArtsBeatLA Thornton Wilder’s 1942 Pulitzer Prize-winning play, The Skin of Our Teeth, is an assuredly odd duck. It’s eighty-two years old but still seems postmodern with its frequent fourth-wall breaking, playfulness with time and use of characters as symbols. Its main subject is how mankind, represented here by the Antrobus (Greek for … Read more
Travis Michael Holder – TicketHoldersLA Each summer for the past 18 years, the Getty Villa Museum has presented a classic production, previously offering recreations of works written by fellows with names such as Sophocles, Euripides, and Aeschylus. This time out, however, in a coproduction with the Classical Theatre of Harlem, the Getty offers the world … Read more
Anita W. Harris – LA Theatrix The play is nonetheless extremely compelling due to the power of its story and the energy of the actors conveying it, fluidly directed by Michael A. Shepperd. Illuminating history in this visceral way brings it to life and makes it unforgettable, making “The Double V” must-see theatre. Read more… … Read more
Anita W. Harris – LA Theatrix “The Brothers Size” is ultimately the mesmerizing story of two very different brothers, each learning to make space for the other in a world that threatens to crowd in on their love, despite – or perhaps because of – their protective circle. Read more… F. Kathleen Foley – Stage … Read more
Anita W. Harris – LA Theatrix Just as the crowd responds like sheep to Mark Antony’s rhetorically manipulative speech in Shakespeare’s “Julius Caesar” (“Friends, Romans, countrymen, lend me your ears”), we too are susceptible to what our politicians say and how they say it. “The Outsider” offers a hilarious (if a bit verbose) diversion reminding … Read more
Anita W. Harris – LA Theatrix Directed by Stephen Brackett, “A Strange Loop” is also well paced – despite its circling, solipsistic structure – making it a wild ride through one young man’s mind and heart. Read more… Travis Michael Holder – TicketHoldersLA Playwright/composer Michael R. Jackson could be what might have hypothetically happened if … Read more
Anita W. Harris – LA Theatrix While the production could have probably done without the garish WWI military Follies number “Rat-Tat-Tat-Tat,” especially given the current global conflicts, perhaps Fanny would agree that the show must go on, and Barbie might have enjoyed a mustachioed Fanny as the defeated Kaiser. After all, there may be some … Read more