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Archive for Branden Jacobs-Jenkins

APPROPRIATE at South Coast Repertory

Photo by Jenny Graham/SCR

Photo by Jenny Graham/SCR

Patrick Chavis – The Orange Curtain Review

So many powerful stories have been and will continue to be told around the subject of family. What family means in different cultures differs to various degrees, but family is also a universal concept that ties humanity together. It’s in our books. It’s on our TVs. In that tradition, South Coast Repertory put on the play Appropriate, about a family forced to deal with their past and each other, and it’s anything but appropriate. Read more…


Pig power plays at ‘Animal Farm.’ ‘Everybody’ is talkin’. Alanis and Hammerstein, but no Natives.

Geoff Elliott, top, with L-R Stanley Andrew Jackson III, Rafael Goldstein, Trisha Miller. Photo by Craig Schwartz.

Geoff Elliott, top, with L-R Stanley Andrew Jackson III, Rafael Goldstein, and Trisha Miller. Photo by Craig Schwartz.

Don Shirley – Angeles Stage

‘Animal Farm’. ‘Sanctuary City’. ‘Everybody.’ ‘Oedipus.’ ‘Jagged Little Pill.’ ‘Oklahoma!’

How ya gonna keep ‘em down on the ‘Farm’, after they’ve seen…Pasadena?

Yes, I’m paraphrasing the lyrics of an ancient pop song to make the point that Pasadena and nearby neighborhoods constitute the hottest cluster of locally-produced theater right now.

The creatures who liberate themselves from servitude in George Orwell’s “Animal Farm” at east Pasadena’s A Noise Within, as well as the human audiences there, might also want to check out “Sanctuary City” at Pasadena Playhouse and “Everybody” at Antaeus in nearby Glendale. Read more…

EVERYBODY at Antaeus Theatre Company

Harry Groener and Nicole Erb in Everybody. Photo by Jenny Graham.

Harry Groener and Nicole Erb in Everybody. Photo by Jenny Graham.

Terry Morgan – Stage Raw

Branden Jacobs-Jenkins has been one of the most promising new playwrights of the past decade. His plays are widely produced and he’s been a Pulitzer finalist twice. I’ve loved about half (Neighbors and Gloria) of the five shows of his I’ve seen, was mildly entertained by another (Appropriate) and underwhelmed by the other half, one of which was An Octoroon and the other of which unfortunately is Everybody. This rewriting of the 15th-century morality play Everyman feels more like an academic exercise than actual drama. The talented cast of Antaeus Theatre Company’s new production of the show can’t quite give it the desired emotional resonance that isn’t present in Jacobs-Jenkins’ prose. Read more…

Rob Stevens – Haines His Way

Everyman is a late 15th century morality play that uses allegorical characters to examine the question of Christian salvation and what Man must do to attain it. That text might be a bit too dry and pedantic for today’s audiences. In 2017, playwright Branden Jacobs-Jenkins gave it a more modern spin and retitled it Everybody. Antaeus Theatre Company in Glendale is currently presenting the 90-minute dramedy. If morality plays are your thing, you should check it out. The cast of nine features some stand out performers. Read more…

Katie Buenneke – Theatre Digest

This production is the definition of a mixed bag. When it’s great, it soars, but when it fumbles, it’s tough. Much of this, I suspect, comes from the text, an adaptation of a centuries-old play of unknown origin, which, in playwright Branden Jacobs-Jenkins’ retelling, obliterates the fourth wall. Read more…

Harker Jones – BroadwayWorld

EVERYBODY, Branden Jacobs-Jenkins’ contemporary riff on a 15th-century morality play, is a creative and chaotic allegory about Christian salvation which is, in the end, an uneven production for the usually consistent Antaeus Theatre Company.
Read more…

Through October 17