Myron Meisel – Stage Raw For a considerable time now, it has become exceptionally difficult to shock an audience, a gambit that used to be an important arrow in the artist’s quiver. Nevertheless, in a society where in recent years…
Deborah Klugman – Stage Raw What happens to a working-class alpha male when he loses his work? The consequences of such are on brilliant display in playwright/performer Raymond J. Barry’s Foreclosure or Yelling at Women Walking Their Dogs, a taut penetrating…
Deborah Klugman – LA Weekly The American Dream is an unforgiving myth. Birthed in rural America in the early 19th century, it galloped to prominence in the Gilded Age, championed by Horatio Alger’s novels and the ever more ubiquitous notion…
Deborah Klugman – Stage Raw Sometimes a play registers as up front and personal; one’s immediately drawn into the experience of its characters, heartrending or comic or both as the case may be. Read more… Now running through June 5
Deborah Klugman – LA Weekly Religious ideology and its impact on young minds serves as the theme for playwright Jesse Mu-En Shao’s The End Times, a lean narrative enriched with well-grounded performances and a modest but handsome production design. The play,…