Deborah Klugman – LA Weekly In Elizabethan England, the twelve days of Christmas were festivity days – none more so that the twelfth when the partying could get really crazy and masters and servants, in a frenzy of masquerade, would…
Deborah Klugman – Stage Raw Playwright/director Jonas Oppenheim’s attempt to cast light on the problems of infertile couples while making comic hay in the fashion of a British sex farce is a sore disappointment. Missing the crisp humor abundant in…
Deborah Klugman – Stage Raw Land Line, a world premiere play by Stephen Dierkes, is about a dying man and his efforts to marshal his courage and his sanity through a relationship with his life-long friend. Read more… Now running through…
Pauline Adamek – ArtsBeatLA At the beginning of his one-person play The Wake, Ben Moroski — posing as ‘Pete Harrisburg’ — rushes in, introduces himself with a self-deprecating “I’m the asshole doing this play,” and then hands audience members flyers for…
Deborah Klugman – LA Weekly Zombies From The Beyond, which premiered off-Broadway in 1995, takes place in the Eisenhower Years, that era of dull certitude when the Soviet Union was America’s arch-enemy and the possibility of creatures from outer space…