Deborah Klugman – LA Weekly If you’re not much on abstract theory when it comes to interpreting architecture as art, chances are you’ll find Oren Safdie’s False Solution slow-going stuff. A student of architecture before becoming a playwright, Safdie – son of famed…
Margaret Gray – LA Times Son of Semele Ensemble has selected two startlingly different short plays for “Woman Parts,” a double bill planned, according to the program, as a corrective to the underrepresentation of women in the theater. The first…
Deborah Klugman – Stage Raw Come late to a performance of Impro Theatre’s Shakespeare Unscripted and you’ll likely be greeted with an ironic round of applause from the audience members who have been waiting for you to arrive. Latecomers react with good-natured…
Hoyt Hilsman – Huffington Post Even in this subdued and somber rendering of a pair of Chekhov stories, Mikhail Baryshnikov and his creative partners from the Big Dance Theater display a magical grace and style that transcends the bleakness of…
BobVerini – Arts In LA The premise of Benjamin Brand’s Taste, as the management of Sacred Fools Theater Company has been unabashedly eager to trumpet in preopening publicity, is a compact made between two men to meet for dinner, at which…