Don Shirley – LA Observed I don’t believe in year-end Top 10 lists, especially if the components are listed in order of best to, say, tenth best. Why is it necessary to draw such distinctions between creations with very different…
Bob Verini – Arts in LA One of the most ambitious art musicals of recent years, Floyd Collins by Adam Guettel (music and lyrics) and Tina Landau (book and additional lyrics) is receiving an outstanding mounting from helmer Richard Israel and the…
Les Spindle – Edge on the Net Beloved pop songwriter-singer Barry Manilow (“Copacabana,” “Mandy”) and his longtime collaborator, lyricist-librettist Barry Sussman, are fulfilling a longtime dream with “Harmony,” their seriocomic musical. The show was introduced in an appealing production in 1997 at…
Myron Meisel – The Hollywood Reporter Chaim Potok’s 1972 bestseller My Name is Asher Lev has been deftly adapted by Aaron Posner and receives a peerless realization by a splendid cast. Posner reduces the novel to its essential conflicts, yet rather than…
Don Shirley – LA Observed Con artistry requires the ability to get the victims to suspend disbelief – the same quality that theatrical artistry usually requires of audiences. David C. Nichols – LA Times “Tartuffe” returns to A Noise Within’s…