Paul Birchall – Stage Raw In playwright Arun Lakra’s quick-witted, if perhaps overly cerebral piece, it isn’t a rabbit’s foot or a four-leaf clover that makes someone lucky — it’s genetic predisposition. Or perhaps it’s an evolutionary adaptation that allows…
Frances Baum Nicholson – The Daily Breeze Perhaps the two greatest dangers in producing an original work of theater is either directing your own performance or directing your own play. In either case, the absolutely necessary second opinion — the…
Katie Buenneke – Stage Raw Fans of the fourth wall — that imaginary wall separating performers from their audience — should steer clear of Lauren Yee’s new play King of the Yees, now playing at the Kirk Douglas in Culver City.…
Hoyt Hilsman – Huffington Post In the finest tradition of the theatrical two-hander, British playwright Simon Stephens (adapter of the Tony-award winning Curious Incident of the Dog in the Night) has imagined a random encounter between a forty-something eccentric woman and a…
Neal Weaver – Stage Raw It’s hard to imagine a more far-fetched plot than the one that animates this zany musical by Lynn Ahren (book and lyrics) and Stephen Flaherty (music), based on The Man Who Broke the Bank at Monte…