Katie Buenneke – Stage Raw By now, Kander and Ebb’s 1966 musical Cabaret is as much a part of the American musical theater canon as Oklahoma. While it’s much darker than most of its Rodgers and Hammerstein counterparts (save, perhaps, for Carousel), it now…
Ellen Dostal – BroadwayWorld The air between the words is so thick you could cut it with a knife in Daniel Talbott‘s shadowy play about three siblings attempting to survive their dysfunctional family. Each is broken in his or her own…
Neal Weaver – Stage Raw Stephanie Alison Walker’s stirring drama is set in Buenos Aires in the 1980s, when Argentina was ruled by a ruthless military junta. Anyone who spoke out against the regime could be taken into custody and…
Harker Jones – Edge on the Net The “Unauthorized Musical Parody Of…” series has a recipe that always works: take a beloved film, break it down to its most basic parts, find ways to lovingly exploit them and then loop…
Harker Jones – Edge on the Net By all accounts, sculptor Louise Nevelson was a real character with a larger-than-life persona and an existence to match. She was ahead of her time in terms of feminism, sexual liberation and her…