Bob Verini - Arts In LA
On the heels of Spike Jonze’s award-winning film Her comes another whimsical, futuristic, seriocomic speculation about artificial intelligence’s commercial and emotional potential.
This one is Jordan Harrison’s world premiere play at the Taper, titled Marjorie Prime, and concededly it lacks the heft of Jonze’s celebrated Oscar winner, not to mention its unforgettable strain of steamy sexuality.
Myron Meisel – The Hollywood Reporter
Death takes a holiday from onstage depiction in Marjorie Prime, the new play by Jordan Harrison, a writer on Orange is The New Black. The same goes for grief and loss, though the drama is suffused with a piquant sense of all of them. Instead, the deceased appear only in the form of a computer program. Its aim is to provide solace by projecting the departed’s physical presence, based on detailed input from the bereaved. Read more…
Pauline Adamek - ArtsBeatLA
A terrible play, and depressing as well, playwright Jordan Harrison’s Marjorie Prime is set in a not-too-distant future and imagines a world where sophisticated robots have been fashioned as human companions. Read more…
Dany Margolies – The Daily News
Center Theatre Group’s “Marjorie Prime” doesn’t teach its audiences anything new, but it raises profound questions. Its manner of storytelling is captivating and seemed to touch many who were listening. Read more…
Now running through October 19.