David C. Nichols – LA Times In its basic contours and execution, Ian MacAllister-McDonald’s “The Sexual Life of Savages” at the Beverly Hills Playhouse is an edgy dramedy of postmillennial eroticism that certainly keeps us watching. Read more… Myron Meisel –…
David C. Nichols – LA Times Whatever the course, the end is the renown in “All’s Well That Ends Well” in Topanga Canyon. Although it has some stylistic quirks and still-refining aspects, this affable, accessible revival of the Bard’s rambling…
David C. Nichols – LA Times Aeschylus meets Agnetha, Björn, Benny and Anni-Frid in “ABBAMEMNON,” the latest deconstruction from Troubadour Theater Company. The classic Greek playwright, Swedish pop group and incomparable troupe may never be quite the same again, and neither…
Myron Meisel – The Hollywood Reporter If one cares about the movies, and about comedy (and what can life be without them?), the soul of Buster Keaton (played here by French Stewart) needs must be spliced into one’s DNA. One…
David C. Nichols – LA Times The title of “Flower Duet,” in its West Coast premiere at the Road Theatre on Magnolia, refers to Leo Delibes’ celebrated “Lakmé” air for soprano and mezzo. It is being rehearsed by two Vermont-based…