THE GREAT DIVIDE at the Lillian Theatre

Paul Birchall  – Stage Raw On a most straightforward level, playwright Lyle Kessler’s new dramedy is about the fractious relationship between two sons and their irascible, judgmental, curmudgeonly dad. However, Kessler’s work is concerned not merely with a family’s brawls, confrontations, and rage — as it appears on the surface. Read more… Neal Weaver  – Arts … Read more

THE BITCH IS BACK at The Edye at The Broad Stage

Dany Margolies  –  Arts In LA To be clear, the woman of the title is not only the writer-performer of this solo show, Sandra Tsing Loh. The woman of the title is all women who live to be “of a certain age.” These women have become the largest segment of American women. These women are … Read more

One-Person Shows Are Too Stuck in Reality. Sometimes They Should Make Things Up

Steven Leigh Morris  – LA Weekly A solo show’s a little show where people talk about their life, “Like battling the bottle. Or slicing themselves with a knife, “They tell their tale with wigs or props, with easels to communicate, “Like being gay or being bi or being trans or being straight! Read more…

THE GOSPEL AT COLONUS at the Nate Holden Performing Arts Center

Deborah Klugman – LA Weekly Sophocles was thought to be near 90 when he wrote Oedipus at Colonus, which tells of the iconic figure’s quest for redemption and a final resting place as his tortured life drew to a close. Read more… David C. Nichols – LA Times It’s fairly unusual for a 30-plus-year-old experimental theater … Read more

BAD JEWS at the Geffen Playhouse

Jenny Lower – LA Weekly Among the many contentious ideas explored during Bad Jews, Joshua Harmon’s delicious pressure cooker of a show now playing at the Geffen, is how a religious or cultural identity can become the sole bedrock upon which some people base their identity. Read more… Myron Meisel – Stage Raw I can remember the … Read more

HOLLYWOOD FRINGE FESTIVAL at various locations

Steven Leigh Morris  – LA Weekly One of the Hollywood Fringe Festival’s many venues is an old van laden with graffiti and suitcases, with shrinelike decorations in the back. The vehicle, like the show that occurs within and around it, is called Hamlet-Mobile, a notion written and directed by Lauren Ludwig and presented by a company … Read more

A NEW SCHEME TO HAVE SHOWS PAY $150 FOR A REVIEW WILL HURT L.A. THEATER

Steven Leigh Morris  – LA Weekly So you’re a theater having a hard time getting audiences. A new plan under way by the ever-tempestuous L.A.-based theater website Bitter Lemons allows you to pay the website directly for a published review, with the reviewer receiving the lion’s share of that payment — no guarantee of a good review, … Read more

DIET OF WORMS – Chalk Repertory Theatre at St. John’s Cathedral

Deborah Klugman – LA Weekly Katharina Bora was a Cistercian nun who fled the convent and ended up married to Martin Luther.  She bore him 6  children and adeptly managed their estate while he took on the business of revolutionizing Christian theology  and with it, the whole of Europe.  Read more… Now running through June 27.

THE HOMECOMING at Pacific Resident Theatre

Steven Leigh Morris  – LA Weekly “Why don’t you shut up, you daft prat?” says Lenny (Jason Downs, resembling young Malcolm McDowell) to his father, Max (Jude Ciccolella), in Guillermo Cienfuegos’ top-flight revival of Harold Pinter’s 1965 comedy The Homecoming at Pacific Resident Theatre. Read more… Now running through July 26.

THIS IS A MAN’S WORLD at the Los Angeles Theatre Center

Steven Leigh Morris  – LA Weekly At 60 years old, the spry, lean, silver-haired Sal Lopez could well be Puck’s dad. And it could be argued that Lopez’s picaresque autobiographical one-man show, This Is a Man’s World at Los Angeles Theatre Center, is a memory play. That’s because it opens with Lopez screaming on a hospital bed … Read more