Melinda Schupmann – Arts In LA It might be deduced, knowing painter Mark Rothko’s iconoclastic nature, that he might not applaud the news that a recent Christie’s auction of paintings included one by him that sold for $86.9 million. Considered…
Deborah Klugman – LA Weekly In Sarah Ruhl’s smart and pointed satire, it’s not just middle-class Victorian women who are sexually clueless: it’s their men as well. The time is the 1880s, and man of science Dr. Givings (Michael Oosterom)…
Bob Verini – ArtsInLA Gina Gionfriddo’s Rapture, Blister, Burn is a report from the feminist front. Folded within a thin narrative is a lot of intriguing conversation, which in the course of two acts brings out numerous perspectives on what…
Neal Weaver – LA Weekly Like the titular Italian dessert, this compilation of three one-act comedies features three different flavors. In the solo piece “Booby Prize,” writer-performer Lizzie Czerner brings a Tracey Ullman-like flamboyance to the tale of a woman…
Deborah Klugman – LA Weekly This polished and entertaining adaptation of Mark Twain’s coming-of-age classic is a rare case of family entertainment done well. Skillfully directed by Aaron Lyons from a streamlined narrative by Laura Eason, the story tracks the…