Terry Morgan – Talkin’ Broadway The old maxim states that truth is stranger than fiction, but sometimes truth isn’t quite that bold and merely approaches the outlandishness of prose. Such is the case of Richard Lancelyn Green, the subject of…
Margaret Gray – LA Times No folkloric Himalayan ape-men appear in David Jacobi’s play “Ready, Steady, Yeti, Go.” That may sound like a spoiler, but it’s a PSA: The friend who went with me to see Rogue Machine’s production was…
Terry Morgan – Stage Raw Watching this excellent current revival of Robert Harling’s Steel Magnolias at Actors Co-op, I was reminded yet again of the power of a strong ensemble. Solo shows and two-handers certainly have their place, but there is something…
Margaret Gray – LA TimesReviving a beloved musical can be a daunting proposition. Do you keep faith with tradition, or do you try something new? If you opt for a little of both, how much of each? It’s hard to…
Deborah Klugman – Capital & Main Evelina Fernández’s world premiere play, The Mother of Henry, is set within Los Angeles’ Eastside barrio, Boyle Heights, in 1968. It was a watershed year. Although change was in the wind — the anti-war protests, civil…