Neal Weaver – LA Weekly Breaking up is hard to do, particularly if you’re embedded in a 20-year marriage. That’s the not terribly surprising message of Paul Coates’ play, illustrated by three couples: one straight (Kelly Coffield Park and playwright Coates), one gay (David Youse and William Franklin Barker) and one lesbian (Ferrell Marshall and … Read more
Neal Weaver – LA Weekly Four one-acts, performed by the Chalk Repertory and set in the exhibition halls of the Natural History Museum, deal, directly or indirectly, with the museum’s history. Tom Jacobson’s A Vast Hoard, directed by Janet Hayatshahi, set in 1913 and played in the Rotunda, deals with the efforts of two officials … Read more
Les Spindle – Edge on the Net In chronicling the beginning of a momentous chapter in the history of gay culture, namely the initial outbreak of the AIDS epidemic in the early 1980s, Larry Kramer’s watershed play “The Normal Heart” offers a deeply moving snapshot of an era, while imparting timeless truths.Read more… Bob Verini … Read more
Neal Weaver – LA Weekly Breaking up is hard to do, particularly if you’re embedded in a 20-year marriage. That’s the not terribly surprising message of Paul Coates’ play, illustrated by three couples: one straight (Kelly Coffield Park and playwright Coates), one gay (David Youse and William Franklin Barker) and one lesbian (Ferrell Marshall and … Read more
Bob Verini – ArtsInLA Time heals everything, so the song goes, and a quick overview of history reveals there’s no calamity so atrocious that the passage of time won’t soften its impact. Shed any tears over the massacre of the Huguenots lately? How about the victims of the Children’s Crusade? Fortunately, art often comes forward … Read more
Neal Weaver – LA Weekly Elin Hampton’s play derives its comedy from the antics of an eccentric family. At 39, Molly (Cameron Meyer) has never escaped from the tyranny of her critical, exploitative parents, who have decided she’s a lesbian because she won’t wear makeup, and taunt her about her lack of a social life.Read … Read more
Neal Weaver – LA Weekly Writer-director Steve Sajich’s play consists of four tenuously interrelated scenes, centering on the murder of a hooker. For reasons best known to Sajich, the four scenes are juggled in performance, with the audience deciding what their order will be. But this seems like a mere gimmick, designed to keep us … Read more
Melinda Schupmann – Arts In LA It might be deduced, knowing painter Mark Rothko’s iconoclastic nature, that he might not applaud the news that a recent Christie’s auction of paintings included one by him that sold for $86.9 million. Considered one of the great postwar modern artists, in the latter years of his life he … Read more
Neal Weaver – LA Weekly Like the titular Italian dessert, this compilation of three one-act comedies features three different flavors. In the solo piece “Booby Prize,” writer-performer Lizzie Czerner brings a Tracey Ullman-like flamboyance to the tale of a woman cursed and blessed with a very buxom figure, which brings her both ridicule and lascivious … Read more
Neal Weaver – LA Weekly I doubt that anyone has ever thought that Steven Cragg was Mark Twain, but it provides him with a useful gimmick to galvanize his one-man show. He appears costumed and bewigged in a deliberately seedy simulacrum of the outfit worn by Hal Holbrook in his Mark Twain solo show.Read more… … Read more