HOW WE GOT ON at Sacred Fools Theater Company

Terry Morgan  –  Artsbeat LA It’s 1998 in midwestern U.S.A, and three rap-loving teens live in a suburb of The City called The Hill. Hank (E.E. Williams) wants to be a rapper but maybe doesn’t have the performance chops, and so he studies the production side.  Read more… Now running through February 20

DEADLY at Sacred Fools Theater Company

Rob Stevens – Haines His Way Herman Webster Mudgett AKA Dr. Henry Howard Holmes AKA H.H. Holmes is a name little known today. Holmes was one of the first and most prolific serial killers in American history.Read more… Deborah Klugman – Stage Raw Numerous books have been written about H. H. Holmes, a 19thcentury serial … Read more

MR. BURNS, A POST-ELECTRIC PLAY at the Sacred Fools Theater Company

Terry Morgan  –  Stage Raw  After the recent Equity nonsense, wherein said organization did whatever it could to destroy our beloved 99-seat theatres, there was a general sense that L.A.’s theatrical scene was going to stagger backwards and falter.Read more… Now running through November 18

THE SIRENS OF TITAN at Sacred Fools Theater Company

Terry Morgan  –  Stage Raw  One of the great themes in the writing of Kurt Vonnegut, Jr. is the lack of free will in characters who don’t know they’re being used. Moreover, should these characters find out they’re being manipulated, they certainly don’t know why or how to stop it. In this “post fact” era, … Read more

THE BEHAVIOR OF BROADUS at the Sacred Fools Theater Company

David C. Nichols – LA Times Controversial psychology and show-biz moxie commingle in “The Behavior of Broadus,” with triumphant results. As delightfully self-assured as it is comically self-referential, made up of equal parts whimsy, wacky, profane and profound, this cracked experiment in satirical musical development is a wickedly entertaining watershed for Sacred Fools Theater Company, … Read more

The Coarse Acting Show, Sacred Fools Theater Company

The Coarse Acting Show by Michael Green, adapted byPaul Plunkett. David C. Nichols – Backstage In his priceless 1964 volume “The Art of Coarse Acting,” English journalist and humorist Michael Green typifies a coarse actor as “one who can remember his lines, but not the order in which they come.” After more pointed examples, Green notes: “His problems? Everyone else connected … Read more