Frances Baum Nicholson –The Stage Struck Review Every once in a while one comes across a performance which may outweigh the play it takes place in. In this case, a good play becomes greater because of one person who takes a playwright’s words and their own and their director’s understandings and makes of them something … Read more
Bob Verini – Arts In LA Tarell Alvin McCraney’s Choir Boy is a mess but all the same a bona fide crowd pleaser. Its characters are drawn with remarkable inconsistency, and they’re put through enough subplots (touched on, though never explored fully) for a play twice its two-hour length. What pulls it through is the passion of … Read more
Steven Leigh Morris – LA Weekly Tarell Alvin McCraney’s tender, poetical drama The Brothers Size (Fountain Theatre) and Billy Van Zandt & Jane Milmore’s meta-theatrical farce Drop Dead! (presented by Theatre 68, at North Hollywood’s NoHo Arts Center) share one salient commonality: Each production has moments when the actors recite stage directions about their own characters. Tarell Alvin McCraney’s … Read more
In the Red and Brown Water by Tarell Alvin McCraney. Bob Verini – ArtsInLA.com It’s about time Tarell Alvin McCraney’s work was able to be seen in Los Angeles. The Brother/Sister Plays, his trilogy about indigenous backwoods Louisiana folk operating under strange and magical Yoruba and Caribbean influences, has been garnering raves on both sides of the Atlantic (he has … Read more