Hoyt Hilsman – Huffington Post Even in this subdued and somber rendering of a pair of Chekhov stories, Mikhail Baryshnikov and his creative partners from the Big Dance Theater display a magical grace and style that transcends the bleakness of…
Bob Verini – Arts in LA The Echo Theater Company has gone to some lengths to sidestep, in its pre-opening publicity, the subject matter of Tommy Smith’s remarkable new play titled Firemen. The world premiere drama is described as “a different…
Steven Leigh Morris – LA Weekly “That’s the story!” repeated with droll unctuousness becomes a motif in actor Barry McGovern’s solo performance of stories by Samuel Beckett, presented by the Gate Theatre of Dublin at the Kirk Douglas Theatre. The…
SLEEPLESS IN SEATTLE – Music by Ben Toth, lyrics by Sam Forman. Hoyt Hilsman – Huffington Post After a long journey from the screen to the musical stage – which included numerous comings-and-goings of composer/lyricist teams – the Sleepless in…
THE CRUCIBLE by Arthur Miller. Neal Weaver – LA Weekly Arthur Miller’s play, first produced on Broadway in 1953, was Miller’s impassioned response to McCarthyism and the witch-hunts launched by the House Un-American Activities Committee. But the fact that it has become…