SELL/BUY/DATE at the Geffen Playhouse
Margaret Gray – LA Times The writer and actress Sarah Jones is gorgeous, about 8 feet tall (at least it seems that way) and rail thin, with a wide mane of hair. When she walks onstage at the Geffen Playhouse,…
Margaret Gray – LA Times The writer and actress Sarah Jones is gorgeous, about 8 feet tall (at least it seems that way) and rail thin, with a wide mane of hair. When she walks onstage at the Geffen Playhouse,…
Katie Buenneke – Stage Raw Though Quiara Alegría Hudes’ trio of plays is called the “Elliot trilogy,” Water by the Spoonful, isn’t really about Elliot. The middle work in the triad, it’s a stark change from its predecessor, Elliot, A Soldier’s Fugue,…
Erin Conley – On Stage & Screen At what point in life must you be willing to sacrifice happiness for survival? Ironbound, a play by Martyna Majok currently in its west coast premiere at the Geffen Playhouse in Los Angeles,…
Jonas Schwartz – TheaterMania Cabaret has undergone much alteration from Harold Prince’s original 1966 Broadway production. In 1972, wunderkind Bob Fosse revamped the story line for the film version, commissioning the composer John Kander and lyricist Fred Ebb to write…
Jonas Schwartz – TheaterMania A Christmas Carol is perfect fare for the holidays. It captures the importance of giving, sharing with loved ones, and reevaluating past choices. A Noise Within‘s co-producing artistic director Geoff Elliott has created his own adaptation, which has…