Jonas Schwartz – TheaterMania Struggling singer Charlie Jane wants to find her voice. She writes songs that speak to her frustrations growing up as the daughter of a failed artist, and she wants to reach other youngsters. Sleazy producers, egotistical colleagues, and her own insecurities stand in her way…. Read more…
Jonas Schwartz – Arts In LA When Rent arrived at the Nederlander Theatre in 1996, a block from New York City’s famed 42nd Street, it was revolutionary. Never before had a musical brought punks, drag queens, gays, lesbians, and AIDS patients to the mainstream. Read more…
Bob Verini – Arts In LA About the best way to communicate my absolute, unalloyed pleasure in These Paper Bullets!, Rolin Jones’s Much Ado About Nothing adaptation at the Geffen, is to report that the smile that came over my face in the first five minutes stayed with me through the intermission, which I couldn’t wait to have … Read more
Margaret Gray – LA Times No Prince Charming — or any other man, for that matter — appears onstage in the revival of “Real Women Have Curves” at the Pasadena Playhouse. Nevertheless Josefina López’s crowd-pleasing play is a Cinderella story, with a touchingly pure faith in the power of a makeover. Read more… Jonas Schwartz – … Read more
Bob Verini – Arts In LA “Waterfall,” the new cross-cultural, lushly romantic tuner at the Pasadena Playhouse, has admirable ambition, visual splendor and patchy dramaturgy. Working from a Thai source novel, stage veterans Richard Maltby Jr. (words) and David Shire (music) seek to explore cultural identity in personal and political contexts, set against a complex historical backdrop. Read more… Melinda Schupmann … Read more
Jonas Schwartz – TheaterMania La Mirada Theatre presents a truncated version of the hit Broadway musical Mary Poppinsunder the direction of Glenn Casale. Audiences can hear the songs they remember from the movie, like “Let’s Go Fly a Kite” and “A Spoonful of Sugar,” but this production exorcises the magic from the production. Read more…
Paul Birchall – Stage Raw Deaf West Theatre’s passionate staging of Steven Sater and Duncan Shiek’s musical (based on Frank Wedekind’s play) was one of 2014’s local small-theater hits, and now the production has been remounted in the grander environs of the Wallis Annenberg Theater. Read more… Jonas Schwartz – TheaterMania Last year’s production of Spring … Read more
Deborah Klugman – LA Weekly Sometimes it’s OK to be predictable if what you have to say bears saying again. Immediate Family, Paul Oakley Stovall’s first play now making its L.A. debut at the Mark Taper Forum, starts out as a high-spirited comedy, a kind of super-polished sitcom that centers on a group of African-American … Read more
Jonas Schwartz – Arts In LA Anna Deavere Smith is an American treasure. She is a vivid storyteller who has mastered building monologues from interviews with those affected by her subject matter. She captures the cadence and moods of the real people she impersonates and finds the most penetrating details to flesh out. Read more… Melinda … Read more
Bob Verini – Arts In LA The inciting incident of The Power of Duff, Stephen Belber’s new play at the Geffen, occurs early. Local Rochester, N.Y. news anchor Charlie Duff (Josh Stamberg)—having lost his wife to divorce, his son to resentment, and now his long-estranged dad to death—closes a broadcast with a spontaneous, brief “rest-in-peace” prayer. … Read more