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Archive for June 2015

MISERABLE WITH AN OCEAN VIEW at the Whitefire Theatre

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Les Spindle –  Frontiers L.A.

Howard Skora’s zany dark comedy, directed by Jim Fall, stars veteran actress Patty McCormack (who is well-remembered as an 11-year-old Oscar nominee, playing a murderous moppet in the classic 1956 thriller The Bad Seed). Read more…

Neal Weaver  – Stage Raw

Howard Skora’s black farce is constructed like a TV sitcom, but it’s snarkier, darker, gayer, zanier, more surreal, more outrageous — and certainly funnier — than most television fare. Read more…

Now running through July 18.

LES MISERABLES – Encore Entertainers at Warner Grand Theatre

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Photo by Myles Regan

Dany Margolies – The Daily Breeze

This sprawling epic about life, guilt, forgiveness, transformation, redemption, and the French revolution gets a skilled, moving, but scenically sparse production by Encore Entertainers. Read more…

THE HEIR APPARENT at International City Theatre, Long Beach Performing Arts Center

Photo by Susan Mapes

Photo by Susan Mapes

Margaret Gray – LA Times

Struggles over inheritance are always painful — unless, of course, they take place in a French farce, in which case they are endlessly prankish and ribald. Read more…

Myron Meisel – Stage Raw

David Ives’s“translaptation” of Jean-Francois Regnard’s 1708 farce The Heir Apparent (Le Legataire Universel), at International City Theatre, also involves a gathering to squabble over inheritance, only this time the corpse-to-be remains very much alive….Read more…

Shirle Gottlieb – Gazette Newspapers

Most people have never heard of French playwright Jean-Francois Regnard. Yet in his day, his work was compared to (and as popular as) the legendary comedies of Moliere — whose name is synonymous with the genre. Read more…

Now running through July 12.

THE GOSPEL AT COLONUS at the Nate Holden Performing Arts Center

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Photo by Craig Schwartz

Deborah Klugman – LA Weekly

Sophocles was thought to be near 90 when he wrote Oedipus at Colonus, which tells of the iconic figure’s quest for redemption and a final resting place as his tortured life drew to a close. Read more…

David C. Nichols – LA Times

It’s fairly unusual for a 30-plus-year-old experimental theater piece to remain trenchant, affecting and exhilarating at the same time, but that’s the incisive case with “The Gospel at Colonus” at the Nate Holden Performing Arts Center. Read more…

Now running through July 17.

PRIVATE LIVES at the Little Fish Theatre

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Dany Margolies – The Daily Breeze

Appallingly feuding but passionately attracted couples are not new to the stage. Shakespeare drew them in The Taming of the Shrew and Much Ado About Nothing. Edward Albee penned them in Who’s Afraid of Virginia Woolf?. Read more…

Now running through July 17.

SMUDGE at the Hudson Theatres

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 Jenny Lower – Stage Raw

If Smudge is a horror story, it’s more the sort that lurks in the recesses of future parents’ brains than a Rosemary’s Baby — although Colby (Whitney Wellner), mother of the titular offspring, probably could have used some coping strategies from Mia Farrow. Read more…

HOW TO BE A ROCK CRITIC at the Kirk Douglas Theatre

Photo by Craig Schwartz

Photo by Craig Schwartz

David C. Nichols – LA Times

Talk amongst yourselves,” says a wild-eyed Lester Bangs as he hammers away at his typewriter, gesturing us into his unkempt apartment, Black Sabbath blaring from the turntable. “And nobody touch my records.”Read more…

Dany Margolies  -  Arts In LA

The lesson to be learned here is not how to be a rock critic but how to be a human being, experiencing instead of describing, taking action instead of observing. When the theatermakers are teaching this lesson, this piece is at its finest. When the theater-makers are trying to make theater, even they must still learn a few things. Read more…

Jon Magaril – Curtain Up

I raise my lighter way up for Erik Jensen’s kick-ass performance as Lester Bangs, trumpeted by many as the best rock critic of all time. His reviews and essays in the ’70s heyday of Rolling Stone, Creem, the Village Voice were fiercely opinionated (sometimes ecstatic, often vituperative), deeply personal, and enduringly influential. Following his example of popularizing the terms “heavy metal” and “punk rock,” I hereby dub the new play co-written by director Jessica Blank and Jensen a rock-u-docu-solo-show. Read more…

Myron Meisel – Stage Raw

….Bangs, with his uninhibited prose and rabidly personal take on pop music, remains the patron saint of rock critics, martyred at 33 by demons not unlike those of many musicians he idolized and in turn rejected for their inevitable failings. Read more…

 

 

Now running through June 28.

BAD JEWS at the Geffen Playhouse

Photo by Michael Lamont

Photo by Michael Lamont

 Jenny Lower – LA Weekly

Among the many contentious ideas explored during Bad Jews, Joshua Harmon’s delicious pressure cooker of a show now playing at the Geffen, is how a religious or cultural identity can become the sole bedrock upon which some people base their identity. Read more…

Myron Meisel – Stage Raw

I can remember the disapproving dismay clucking through suburban Newark, New Jersey, aroused by the satiric observations of the early Philip Roth, and could never have imagined myself partaking of the same chagrin as my parents felt in reaction to the Coen Brothers’ A Serious Man, which I thought was pretty dead-on from my own experience of that period. em>Read more…

Now running through July 19.

COME FROM AWAY at the La Jolla Playhouse

Photo by Kevin Berne

Photo by Kevin Berne

Bob Verini  -   Variety

Any qualms about the propriety or taste of a “9/11 musical” prove unfounded in the case of “Come From Away,” the superb new show premiering at La Jolla Playhouse. Out of the true story of a small Newfoundland community playing host to 38 commercial aircraft after the World Trade Center attacks, Canadians Irene Sankoff and David Hein have forged a moving, thoroughly entertaining tribute to international amity and the indomitable human spirit. Read more…

Now running through July 12.

GRUESOME PLAYGROUND INJURIES at the Garage Theatre

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Shirle Gottlieb – Gazettes.com

If you’ve ever seen anything written by Rajiv Joseph, you know that this brilliant young playwright is fascinated by the concept of why things happen.

In other words, why do different people do what they do? In each work, he courageously explores a different facet of human behavior by slowly peeling away obstacles in the outer layers, so he can access the heart of whatever matter he’s pursuing.

Read more…

Now running through through June 27.

LETTER FROM THE FRINGE at various locations

Photo by Miles Anderson

Photo by Miles Anderson

Paul Birchall – Stage Raw

Welcome to Fringe Season, when there are so many shows, and all of them taking place within the same 30 block area, you almost need 50 heads to see them all.  With so many shows (300 or so) going on, you almost wish you could bend time and space to be in two (or more) places at the same time. Read more…

Now running through June 28.

HOLLYWOOD FRINGE FESTIVAL at various locations

Photo by Shing Yin Khor

Photo by Shing Yin Khor

Steven Leigh Morris  – LA Weekly

One of the Hollywood Fringe Festival’s many venues is an old van laden with graffiti and suitcases, with shrinelike decorations in the back. The vehicle, like the show that occurs within and around it, is called Hamlet-Mobile, a notion written and directed by Lauren Ludwig and presented by a company named the Moving Shadow. Read more…

Now running through June 28.