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Author Archive for LADCC critics – Page 2

STEEL MAGNOLIAS at the Actors’ Coop

Matthew Gilmore

Matthew Gilmore

Terry Morgan  -  Stage Raw

Watching this excellent current revival of Robert Harling’s Steel Magnolias at Actors Co-op, I was reminded yet again of the power of a strong ensemble. Solo shows and two-handers certainly have their place, but there is something about the interaction among a group of talented actors, where many things combine to become one greater thing, that seems to me to be the very heart of whatever magic theater creates.
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Now running through May 5

FIFTY WORDS at the Lounge Theatre

Zadran Wali

Zadran Wali

Deborah Klugman – Stage Raw

Playwright Michael Weller’s messy marital drama transpires over the course of one night, during which time a married couple unleash all the frustration, disappointment and unrequited passion they’ve kept bottled inside for 18 long years.
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Now running through April 7

INCOGNITO at Son of Semele Ensemble

Son of Semele

Son of Semele

Rob Stevens – Haines His Way

When Albert Einstein died of a brain aneurysm at Princeton Hospital in 1955, the pathologist who performed the autopsy ended up stealing Einstein’s brain.      Read more…

Now running through April 7

 

BLACK SUPER HERO MAGIC MAMA at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Deborah Klugman – Stage Raw

It’s hard to imagine a more painful life event than the death of a child — especially when that child is shot by police and the perpetrator goes free. That almost unbearable grief that a mother must feel is creatively addressed in Black Super Hero Magic Mama, Inda Craig-Galván’s latest play….
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Now running through April 14

HAMLET at the New American Theatre

 

Karianne Flaathen

Karianne Flaathen

Lovell Estell III — Stage Raw

Shakespeare’s best plays are a rich source of complex, conflicted characters and readily lend themselves to creative, critical exploration or inspired adaptations. Of course, there are always risks when treading the path of the unconventional, but there are also creative successes. Director Matthew Leavitt’s updated take on the Bard’s famous tragedy, though far from perfect, offers some enjoyable quirks and surprises.
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Now running through March 31

THE WOLVES – ECHO THEATER COMPANY at Atwater Village Theatre

Darrett Sanders

Darrett Sanders

Erin Conley – On Stage & Screen

“We are the Wolves. We are the Wolves,” a group of teenage girls chants, each repetition of the phrase growing in both volume and urgency. The Wolves are a high school indoor soccer team, and the subject of Sarah DeLappe’s play of the same name currently in its west coast premiere at the Echo Theater Company.     Read more…

Katie Buenneke – Stage Raw

It’s both remarkable and unnerving when a writer, director, and cast work in tandem so effectively that you leave the theater feeling like you know the characters personally. It’s a rare magic, currently happening in Atwater Village, where Echo Theater Company is staging Sarah DeLappe’s The Wolves.       Read more…

Now running through April 22

LACKAWANNA BLUES at the Mark Taper Forum

Craig Schwartz

Erin Conley – On Stage & Screen

Lackawanna Blues, Ruben Santiago-Hudson’s autobiographical solo show, has been on quite a journey since it first premiered at the Public Theater in New York in 2001. After that first production, which won a special citation Obie Award, it played at multiple regional theaters across the United States before being adapted into an HBO movie in 2005.
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Now running through April 21

PHOTOGRAPH 51 AT South Coast Repertory

Jordan Kubat/SCR

Jordan Kubat/SCR

Margaret Gray – LA Times

Every once in a while we experience a flare-up of puzzlement about why so few women pursue careers in math and science — even now, despite progress in gender equality.
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Now running through March 24

THE GLASS MENAGERIE at A Noise Within

Craig Schwartz

Craig Schwartz

Dany Margolies – The Daily News

If you had a perfectly happy childhood with ideal parents, good for you. Tennessee Williams did not, and this led to some of literature’s most-affecting, most-enduring plays.

Many in his audiences didn’t, either, and that’s why we keep coming back to his classics, particularly “The Glass Menagerie.” Indeed, its title refers to a collection of tiny toy animals on display but perhaps also to the glassiest of menageries: our families.
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Frances Baum Nicholson –The Stage Struck Review

One of the seminal works of American theatrical literature is Tennessee Williams’ “The Glass Menagerie,” the play which vaulted him to fame. It was in my high school English textbook, in the equivalent for that preliminary English course everyone has to take in college, and one of the great plays studied in my theater lit course.
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Rob Stevens – Haines His Way

When a group of theatre critics discuss the greatest American playwrights, three names are usually mentioned the most—Eugene O’Neill, Arthur Miller and Tennessee Williams.
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Now running through April 26

 

PURE NATIVE at the Wells Fargo Theater at the Autry Museum of the American West

Craig Schwartz

Craig Schwartz

Terry Morgan  -  Stage Raw

Theatrically, Los Angeles is blessed in many ways, and one of them is the presence of Native Voices at the Autry, the only Equity theatre company devoted exclusively to developing and producing new works from Native American, Alaska Native and First Nations playwrights. Their shows are often specific and insightful in a way no other theatre company can be — yet at the same time the themes in their work have a universal resonance.
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Now running through March 24

TUESDAYS WITH MORRIE at the Sierra Madre Playhouse

Gina Long

Gina Long

Frances Baum Nicholson –The Stage Struck Review

In Mitch Albom’s memoir “Tuesdays with Morrie: an old man, a young man, and life’s greatest lesson,” Albom details his mid-life reconnection with a favorite Brandeis sociology professor, Morrie Schwartz.
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Now running through March 31

CANYON at the Los Angeles Theatre Center

Dean Cechvala

Dean Cechvala

Margaret Gray – LA Times

Ask any real estate agent: People love a view. We’ll go out of our way — and far above asking price — for an elevated perch with a sweeping panorama. A view makes us feel at peace and in control. Maybe it’s the same rush our forebears got when they surveyed their hard-won territory from the treetops.
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Now running through March 24