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Archive for A Noise Within

ARGONAUTIKA at A Noise Within

Craig Schwartz

Craig Schwartz

Ellen Dostal – Broadway World

The best way to characterize Mary Zimmerman’s adaptation of the mythical tale of Jason and the Argonauts is as a playground for adults in which theatre artists use every storytelling trick in the book to bring gods, monsters, mortals, and kings to life.
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Rob Stevens – Haines His Way

The poet Ovid wrote his classic Metamorphoses during the reign of Augustus, the first Roman Emperor. In 1996 playwright/director Mary Zimmerman brought ten of the myths to life in a pool of water on stage in Chicago and later Los Angeles and New York.
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Now running through May 5

THE GLASS MENAGERIE at A Noise Within

Craig Schwartz

Craig Schwartz

Dany Margolies – The Daily News

If you had a perfectly happy childhood with ideal parents, good for you. Tennessee Williams did not, and this led to some of literature’s most-affecting, most-enduring plays.

Many in his audiences didn’t, either, and that’s why we keep coming back to his classics, particularly “The Glass Menagerie.” Indeed, its title refers to a collection of tiny toy animals on display but perhaps also to the glassiest of menageries: our families.
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Frances Baum Nicholson –The Stage Struck Review

One of the seminal works of American theatrical literature is Tennessee Williams’ “The Glass Menagerie,” the play which vaulted him to fame. It was in my high school English textbook, in the equivalent for that preliminary English course everyone has to take in college, and one of the great plays studied in my theater lit course.
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Rob Stevens – Haines His Way

When a group of theatre critics discuss the greatest American playwrights, three names are usually mentioned the most—Eugene O’Neill, Arthur Miller and Tennessee Williams.
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Now running through April 26

 

OTHELLO at A Noise Within

Craig Schwartz

Craig Schwartz

Ellen Dostal – Broadway World

Never has the relationship between Iago and Roderigo in Shakespeare’s OTHELLO stolen the show like it does in the current A Noise Within production, directed by Jessica Kubzansky.
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Now running through April 28

ROSENCRANTZ AND GUILDENSTERN ARE DEAD at A Noise Within

Craig Schwartz

Craig Schwartz

Frances Baum Nicholson – Stage Struck Review

There is a certain fascination in the fact that two theaters in Pasadena are featuring plays based on looking sideways at a Shakespearean works. At Boston Court, a new play looks at “The Merchant of Venice” from the Jewish perspective. At A Noise Within it’s the now-classic “Rosencrantz and Guildenstern Are Dead,” in which two seemingly superfluous characters in “Hamlet” become the center of a debate about existence.
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Now running through November 18

A PICTURE OF DORIAN GRAY at A Noise Within

Caig Schwartz

Craig Schwartz

Frances Baum Nicholson –The Stage Struck Review

Of all of Oscar Wilde’s creations, the overall theme of “A Picture of Dorian Gray” has most become a part of the English language. Read more…

Rob Stevens – Haines His Way

In his program notes for the current A Noise Within’s production of his adaptation of A Picture of Dorian Gray, director Michael Michetti states “Oscar Wilde was perhaps the nineteenth century’s most infamous homosexual”. Read more…

Ellen Dostal – Broadway World

They say a picture paints a thousand words. In director Michael Michetti’s compelling stage adaptation of Oscar Wilde’s A PICTURE OF DORIAN GRAY, it does more than that. It captures a lifetime.
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Now running through November 15

 

 

NOISES OFF at A Noise Within

Craig Schwartz

Craig Schwartz

Jonas Schwartz -  TheaterMania

Farce is a science, a series of actions and reactions. People slam and swing open doors, they race up and down stairs, they misplace their clothing. If farce is a science, Noises Off deserves a Nobel Prize for physics.
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Rob Stevens – Haines His Way

What has eight doors and revolves? Answer: Fred Kinney’s double-sided set for A Noise Within’s revival of Noises Off. This marks the company’s third revival of Michael Frayn’s farce in the past decade or so.
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Deborah Klugman – Stage Raw

Arguably one of the funniest farces in the contemporary British canon, Michael Frayn’s 1982 play revolves around a touring company of actors attempting to stage a frolicsome sex comedy called “Nothing On.”
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Now running through May 26

A RAISIN IN THE SUN at A Noise Within

Craig Schwartz

Craig Schwartz

Jonas Schwartz -  TheaterMania

Progress treads so slowly it almost feels backwards. Lorraine Hansberry’s award-winning play A Raisin in the Sun premiered almost six decades ago, but American culture still grapples heavily with racism and other prejudices. The Younger family of the play grabs at the American dream, but society keeps moving the brass ring just out of reach.
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Now running through April 8

HENRY V at A Noise Within

Craig Schwartz

Craig Schwartz

Ellen Dostal – Broadway World

By the time Shakespeare gets to the last of his history plays concerning the Wars of the Roses*, HENRY V, the party boy who would be king has become a man. Gone are the indiscretions of youth seen in the earlier HENRY IV plays, which follow young Prince Hal on his escapades with Falstaff and the Eastcheap gang.
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Frances Baum Nicholson – The Daily Breeze

Of all Shakespeare’s history plays, the one which has always fascinated me most is “Henry V.”

From its prologue, which defines the very essence of live theater and the suspension of disbelief, through the humanity of its central figure wrestling with the understood demands of the crown and the lasting echoes of a misspent youth, it has an articulation of language and emotion which have always caught my imagination.
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Rob Stevens – Haines His Way

The idle, degenerate, boozing and whoring Prince Hal from Shakespeare’s Henry IV plays grows up quickly when he ascends the throne and chooses to go to war with France in Henry V.
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Jonas Schwartz -  TheaterMania

A war pageant, Shakespeare’s Henry V portrays a king evolving into a formidable force. Codirectors Julia Rodriguez-Elliott and Geoff Elliott incorporate music, pomp, and studied performances to elevate the text and keep audiences engaged. Some directorial choices in this A Noise Within production, though, wound Act 1′s momentum. However, a triumphant Act 2 leaves audiences rousing for the English crown.
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Now running through April 6

 

A CHRISTMAS CAROL at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Jonas Schwartz -  TheaterMania

A Christmas Carol is perfect fare for the holidays. It captures the importance of giving, sharing with loved ones, and reevaluating past choices. A Noise Within‘s co-producing artistic director Geoff Elliott has created his own adaptation, which has been performed at the theater for the last six years.
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MRS. WARREN’S PROFESSION at A Noise Within

(Photo by Craig Schwartz)

(Photo by Craig Schwartz)

Katie Buenneke – Stage Raw

Though it was written in 1893, George Bernard Shaw’s play Mrs. Warren’s Profession, now playing at A Noise Within in Pasadena, feels surprisingly contemporary. While Shaw scripted these conversations 124 years ago, the basic arguments the characters engage in have changed little in the intervening years.
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Frances Baum Nicholson –The Stage Struck Review

It would be tough, in the English-speaking theatrical canon, to find any playwright more unromantic than George Bernard Shaw. His view of the social arrangements of adult life in late Victorian and early 20th century Britain were quite clear in the arguments his plays made (and continue to make) about the entire subject.       Read more…

Now running through November 18

THE MADWOMAN OF CHAILLOT at A Noise Within

Photo by Craig Schwartz)

Photo by Craig Schwartz)

Deborah Klugman – Stage Raw

Jean Giraudoux’s The Madwoman of Chaillot (translated by Maurice Valency) has always been one of my favorite plays. Written in 1943 and premiering after the playwright’s death in 1945, it’s a witty whimsical takedown of perfidious capitalism and a paean to the artists and free spirits who oppose them.
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The Stage Struck Review

Jean Giraudoux’s classic play “The Madwoman of Chaillot” is one of those plays everyone should see at some point in life. Though written in 1943, during the Nazi occupation of France, and only performed after the playwright’s death, it is often associated with a celebration of the end of tyranny. Read more…

Jonas Schwartz -  TheaterMania

French author Jean Giraudoux’s classic comedy The Madwoman of Chaillot was written in 1943, while Germany occupied France, only for it to be first produced in December 1945 when the war had come to a halt. Yet in today’s world, when fracking, contaminated water, and plutocracy flood the national headlines, the play seems ripped from our daily headlines.
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Now running through November 11

A TALE OF TWO CITIES at A Noise Within

[photo: Craig Schwartz]

[photo: Craig Schwartz]

Frances Baum Nicholson –The Stage Struck Review

Any time someone translates a novel to the stage, there is risk involved. The depth of interior monologue, the detail of setting and character, the convolutions of plot and emotion, even the poetry of language used to provide all of this, are all limited by the confines of the stage and the time frame expected of a standard play. Read more…

Rob Stevens – Haines His Way

“It was the best of times, it was the worst of times.” With those words novelist Charles Dickens began his classic book A Tale of Two Cities, published in 1859. Read more…

 Now running through November 19