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Archive for A Noise Within

A CHRISTMAS CAROL at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Jonas Schwartz -  TheaterMania

A Christmas Carol is perfect fare for the holidays. It captures the importance of giving, sharing with loved ones, and reevaluating past choices. A Noise Within‘s co-producing artistic director Geoff Elliott has created his own adaptation, which has been performed at the theater for the last six years.
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MRS. WARREN’S PROFESSION at A Noise Within

(Photo by Craig Schwartz)

(Photo by Craig Schwartz)

Katie Buenneke – Stage Raw

Though it was written in 1893, George Bernard Shaw’s play Mrs. Warren’s Profession, now playing at A Noise Within in Pasadena, feels surprisingly contemporary. While Shaw scripted these conversations 124 years ago, the basic arguments the characters engage in have changed little in the intervening years.
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Frances Baum Nicholson –The Stage Struck Review

It would be tough, in the English-speaking theatrical canon, to find any playwright more unromantic than George Bernard Shaw. His view of the social arrangements of adult life in late Victorian and early 20th century Britain were quite clear in the arguments his plays made (and continue to make) about the entire subject.       Read more…

Now running through November 18

THE MADWOMAN OF CHAILLOT at A Noise Within

Photo by Craig Schwartz)

Photo by Craig Schwartz)

Deborah Klugman – Stage Raw

Jean Giraudoux’s The Madwoman of Chaillot (translated by Maurice Valency) has always been one of my favorite plays. Written in 1943 and premiering after the playwright’s death in 1945, it’s a witty whimsical takedown of perfidious capitalism and a paean to the artists and free spirits who oppose them.
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The Stage Struck Review

Jean Giraudoux’s classic play “The Madwoman of Chaillot” is one of those plays everyone should see at some point in life. Though written in 1943, during the Nazi occupation of France, and only performed after the playwright’s death, it is often associated with a celebration of the end of tyranny. Read more…

Jonas Schwartz -  TheaterMania

French author Jean Giraudoux’s classic comedy The Madwoman of Chaillot was written in 1943, while Germany occupied France, only for it to be first produced in December 1945 when the war had come to a halt. Yet in today’s world, when fracking, contaminated water, and plutocracy flood the national headlines, the play seems ripped from our daily headlines.
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Now running through November 11

A TALE OF TWO CITIES at A Noise Within

[photo: Craig Schwartz]

[photo: Craig Schwartz]

Frances Baum Nicholson –The Stage Struck Review

Any time someone translates a novel to the stage, there is risk involved. The depth of interior monologue, the detail of setting and character, the convolutions of plot and emotion, even the poetry of language used to provide all of this, are all limited by the confines of the stage and the time frame expected of a standard play. Read more…

Rob Stevens – Haines His Way

“It was the best of times, it was the worst of times.” With those words novelist Charles Dickens began his classic book A Tale of Two Cities, published in 1859. Read more…

 Now running through November 19

A TALE OF TWO CITIES at A Noise Within

Craig Schwartz

Craig Schwartz

Erin Conley – On Stage & Screen

“It was the best of times, it was the worst of times.” A Tale of Two Cities by Charles Dickens has been a staple of western literature since its publication in 1859, and has been adapted many times over—as movies, television mini-series, radio shows, a short-lived Broadway musical, and plays.
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Jonas Schwartz -  TheaterMania

A solid cast enlivens Charles Dickens’s epic A Tale of Two Cities at A Noise Within, which is tautly directed by Geoff Elliott and Julia Rodriguez-Elliott, who drive home comparisons between the bedlam in 18th-century Europe and the current political climate.

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Now running through November 19

MAN OF LA MANCHA at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Frances Baum Nicholson - San Gabriel Valley Tribune

When one first hears that A Noise Within has reset the powerful 1960s musical “Man of La Mancha” in a modern prison in the developing world, it can make one nervous. After all, it is based not only on one of the great works of international literature, but a historical figure who actually did end up imprisoned by the Inquisition for a segment of time. Read more…

Katie Buenneke – Stage Raw

Miguel de Cervantes wrote Don Quixote, a story about a man who famously tilts at windmills, over 400 years ago. Three hundred and fifty odd years later, Dale Wasserman, Joe Darion and Mitch Leigh wrote Man of La Mancha, a musical imagining of Cervantes and his fictional knight. Now, A Noise Within tries to bring the story into the present.Read more…

Jonas Schwartz -  TheaterMania

Now running through May 21

KING LEAR at A Noise Within

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Frances Baum Nicholson – The Daily News

It is an interesting new spin on Shakespeare’s “King Lear” to look at the downfall of this unwise ruler from the lens of Alzheimer’s disease. That is what director Julia Rodriguez-Elliott does in the production now in repertory at A Noise Within. Read more…

Now running through May 6

AH WILDERNESS at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Frances Baum Nicholson – The Daily Breeze

When one thinks of Eugene O’Neill, one thinks of wrenchingly serious plays, but “Ah, Wilderness” gives him a chance to explore the comparative innocence of a life he wished he could have lived.  Read more…

Jonas Schwartz -  TheaterMania

Ah, Wilderness! is a tender memory piece about a family rejoicing and struggling through the July Fourth holiday. Led by Nicholas Hormann and Deborah Strang as the patriarch and matriarch of the Miller Clan, the talented cast has the dynamics of a true family. Read more…

Melinda Schupmann – Arts In LA

In his nearly 30 years of playwriting, Eugene O’Neill experimented with myriad stage conventions, winning Pulitzer and Nobel prizes. Though most of his dramas were melancholy or tragic, in 1932 he penned a comedy that portrays the Miller family of Connecticut on the Fourth of July, 1906. Its protagonist is almost-17-year-old Richard (Matt Gall), certainly O’Neill’s alter ego, who is flush with first love and bursting with ideas culled from classic literature his mother finds improper for a boy his age. Read more…

Now running through May 20

 

THE IMAGINARY INVALID at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Jonas Schwartz -  TheaterMania

During its 25th anniversary season, A Noise Within revives Molière’s madcap play The Imaginary Invalid after first performing it in 2001, but this time with Constance Congdon’s 2007 adaptation. Zany as a Marx Brothers movie, the farce delves into hypochondria and the perversity of the patriarchy. Though some of the modern speech in Congdon’s text is too clever by half, this production captures Molière’s irreverent flavor. Read more…

 

YOU NEVER CAN TELL at A Noise Within

YNCY494

Photo by Craig Schwartz

Deborah Klugman – Stage Raw

George Bernard Shaw’s’s turn of the 20th century rom-com, had a rocky start. Set to debut in 1897, it failed to make it to the stage that year, as actors struggled with the material and one leading lady quit, complaining the comedy had neither enough laughs nor enough exits. Not until 8 years later, in 1905, after Shaw had had it published in an anthology, did the piece have its first full run. Read more…

David C. Nichols – LA Times

This family is no place for a father.” It’s an emphatic statement of the sober argument that lies at the larky heart of “You Never Can Tell” at A Noise Within theater in Pasadena.    Read more…

Melinda Schupmann – Arts In LA

In his early career, George Bernard Shaw wrote two sets of plays that he labeled Plays Unpleasant (Widower’s Houses, The Philanderer, Mrs. Warren’s Profession ) and Plays Pleasant (Arms and the Man, Candida, You Never Can Tell). Read more…

Now running through May 15

 

 

 

A CHRISTMAS CAROL at A Noise Within

 

Photo by Craig Schwartz

Photo by Craig Schwartz

David C. Nichols – LA Times

Christmas Carol” is upon us, and its winning A Noise Within production is a keeper.

Amid worthy area stagings of Charles Dickens’ immortal classic about miserly Ebenezer Scrooge’s Christmas Eve journey to redemption, this deftly performed, meta-theatrical edition stands out for fidelity to text, witty stagecraft and heartfelt embrace of message. Read more…

ALL MY SONS at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Deborah Klugman – LA Weekly

As in Death of a Salesman, his 1949 Pulitzer Prize winner (and my personal favorite) Arthur Miller’s All My Sons looks at an American family in crisis and weaves their story into a broader vision of a morally bankrupt culture. Read more…

Photo by Craig Schwartz

Photo by Craig Schwartz

Paul Birchall  – Stage Raw

Arthur Miller’s powerful 1947 family drama has aged surprisingly well, with its message of capitalist greed and personal hypocrisy ululating strongly through the many years since its first production.  There are different ways of watching the drama:  The first time you see All My Sons, you’ll probably follow the narrative in real time, as the horror unfolds and the sorrows escalate. Read more…

Now running through November 21.