Katie Buenneke – Stage Raw. I must start this review by confessing that this production of Much Ado About Nothing is a victim of my own expectations. Much Ado is my favorite Shakespearean text, and I’ve always respected the craft A Noise Within puts into their productions of the classics. I expected to love this show — but sadly, … Read more
Tracey Paleo – BroadwayWorld There is a reason why August Wilson is one of the more prolifically produced playwrights in modern American theater. He just gets it. Life. Language. History. Struggle. Desire. People. This can be similarly said for Gregg T. Daniel, one of greater Los Angeles’ well-loved actors/directors. And it shows in his latest … Read more
Don Shirley – Angeles Stage ‘Animal Farm’. ‘Sanctuary City’. ‘Everybody.’ ‘Oedipus.’ ‘Jagged Little Pill.’ ‘Oklahoma!’ How ya gonna keep ‘em down on the ‘Farm’, after they’ve seen…Pasadena? Yes, I’m paraphrasing the lyrics of an ancient pop song to make the point that Pasadena and nearby neighborhoods constitute the hottest cluster of locally-produced theater right now. … Read more
Deborah Klugman – Stage Raw George Orwell began writing Animal Farm in the waning months of 1943. The book was conceived in response to the evils of Stalinist Russia and the disturbing tendency of many left-leaning British intellectuals to excuse the regime’s murderous excesses and cruelties. Never an officially declared socialist or communist, Orwell had been a … Read more
Don Shirley – Angeles Stage Why didn’t the LA Times review the hilarious “Tiger Style!” or “Our Town” at South Coast Repertory? Plus thoughts on “Man of God,” “Metamorphoses,” and more. “Tiger Style!” deserves the exclamation point in its title. Mike Lew’s satire is the funniest new play I’ve seen since theaters started re-opening last … Read more
Tracey Paleo – BroadwayWorld In a word…Delicious. A Noise Within winds down its 2021-22 season with playwright Mary Zimmerman’s primal retelling of Ovid’s METAMORPHOSIS. It is nothing short of spectacular. Read more… Rob Stevens – Haines His Way In 1996, playwright/director Mary Zimmerman adapted some Greek myths from the classic poem Metamorphoses by Ovid. A full production was … Read more
Deborah Klugman – Stage Raw Imagine, if you can, members of the UAW or the United Mine Workers of America hiring a reader to read to them while they labor at their job. And not just any printed material — not a gossip rag or a bodice ripper or a third-rate paperback. No, we’re talking … Read more
Katie Buenneke – Stage Raw All’s Well That Ends Well is one of Shakespeare’s “problem plays,” texts that can’t easily be categorized as either comedy or tragedy. All’s Well has all of the trademarks of a Shakespearean comedy: a marriage plot, mistaken identity, a clown or two, and a happily married couple in the finale. But the ending … Read more
Terry Morgan – Stage Raw Watching A Noise Within’s new production of Sam Shepard’s Buried Child, I was struck by how closely the first act resembles Pinter’s The Homecoming. A man who’s been away from his family for some time returns, accompanied by a woman whom he brings into a group of strange, violent men. But whereas … Read more
Deborah Klugman – Stage Raw Gem of the Ocean, August Wilson’s play about sin, salvation and the power of the supernatural, takes place in 1904, a mere four decades following the end of the Civil War. Written near the close of his career (it was his next-to-the-last play, preceding his final work, Radio Golf), it serves … Read more